{"id":1093,"date":"2022-03-18T19:42:11","date_gmt":"2022-03-18T18:42:11","guid":{"rendered":"https:\/\/www.wilfridmoser.ch\/biografia\/"},"modified":"2022-05-03T14:28:18","modified_gmt":"2022-05-03T12:28:18","slug":"biografia","status":"publish","type":"page","link":"https:\/\/www.wilfridmoser.ch\/it\/biografia\/","title":{"rendered":"Biografia"},"content":{"rendered":"\n[et_pb_section fb_built=”1″ _builder_version=”4.17.3″ _module_preset=”default” custom_padding=”0px||||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_row make_equal=”on” custom_padding_last_edited=”on|phone” _builder_version=”4.17.3″ _module_preset=”default” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” max_width=”645px” custom_padding=”||30px||false|false” custom_padding_tablet=”||30px||false|false” custom_padding_phone=”||15px||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.17.3″ _module_preset=”default” position_origin_a=”center_left” position_origin_a_tablet=”center_left” position_origin_a_phone=”center_left” position_origin_a_last_edited=”off|desktop” position_origin_f_last_edited=”off|desktop” position_origin_r_last_edited=”off|desktop” width=”100%” custom_padding=”||30px||false|false” positioning_tablet=”none” positioning_phone=”none” positioning_last_edited=”off|desktop” global_colors_info=”{}” theme_builder_area=”post_content”]

Wilfrid Moser<\/strong> \u00e8 nato il 10 giugno 1914 a Zurigo nel quartiere di Enge. Suo padre \u00e8 sinologo, sua madre insegnante di piano. L\u2019attivit\u00e0 del padre, docente universitario, permette al giovane Wilfrid di vivere in diverse citt\u00e0 europee e di familiarizzare con la loro cultura. La casa dei genitori a Zurigo \u00e8 frequentata da molti artisti-pittori zurighesi fra i quali Otto Baumberger, Albert Pfister, Henri Wabel.<\/p>\n

Esperienze personali e letterarie, impressioni di viaggio e frequentazioni di esposizioni lo influenzano profondamente e lo inducono, ancora in et\u00e0 infantile, a produrre dei disegni (giardini zoologici, paesaggi cittadini da Mille e una notte, pattinatori ecc.) che impressionano per il suo senso del colore e la soggiacente forza poetica. che impressionano per il suo senso del colore e la soggiacente forza poetica. Alcuni di questi disegni vengono pubblicati nel 1930 dalla rivista Schweizer Spiegel<\/em>.<\/p>[\/et_pb_text][et_pb_text _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”]

Gli anni Venti<\/h2>\n

Con la famiglia abita a lungo a Siena, il cui duomo diventa uno dei temi chiave dell\u2019artista. Ha anche occasione di soggiornare per lunghi periodi a Venezia, dove \u00e8 affascinato dalla Giudecca: un\u2019esperienza della fanciullezza a cui ritorner\u00e0 continuamente nella sua opera.<\/p>\n

Nel 1929 il giovane Wilfrid diventa Re del Tiro della citt\u00e0 di Zurigo (Sch\u00fctzenk\u00f6nig<\/em>). Gi\u00e0 nel 1931 sceglie di diventare pittore, ma per mezzo anno ancora (insieme a Michael Mann) continua la sua formazione musicale con Wilhelm de Boor, allora primo violino dell\u2019orchestra della Tonhalle, e approfondisce i suoi studi nel violino classico, strumento che aveva iniziato a suonare sin da piccolo al Conservatorio di Zurigo. Intraprende viaggi a Parigi, a Berlino, in Italia e in Unione Sovietica. Fa visita a Ensor a Ostenda. Viaggia con Nicolas de Sta\u00ebl. Fra il 1935 e il 1938 si reca in Marocco e in Spagna. Nel 1939, prima dello scoppio del conflitto mondiale, soggiorna a Parigi. A Zurigo fa la conoscenza di Varlin, che lo invita ad esporre con lui. La pittura e i disegni di quel periodo sono di tipo figurativo e vi si vedono chiaramente gli influssi di Utrillo, Rouault e Ensor: architetture dalle prospettive spezzate, scene di fiere e Jardins des Plantes.<\/p>\n

 <\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ make_equal=”on” custom_padding_last_edited=”on|phone” _builder_version=”4.17.3″ _module_preset=”default” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” custom_padding=”||30px||false|false” custom_padding_tablet=”||30px||false|false” custom_padding_phone=”||15px||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”1_2″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.17.3″ _module_preset=”default” positioning=”absolute” position_origin_a=”center_center” position_origin_a_tablet=”center_center” position_origin_a_phone=”center_center” position_origin_a_last_edited=”on|desktop” position_origin_f_tablet=”” position_origin_f_phone=”” position_origin_f_last_edited=”on|desktop” position_origin_r_tablet=”” position_origin_r_phone=”” position_origin_r_last_edited=”on|desktop” width=”100%” positioning_tablet=”none” positioning_phone=”none” positioning_last_edited=”on|phone” global_colors_info=”{}” theme_builder_area=”post_content”]

Fra il 1940 e il 1945<\/h2>\n

Assolve il servizio attivo nell\u2019esercito svizzero. Si sposa con Jeanne Gysi. Prende casa a Ronco s\/Ascona, dove costruisce un atelier. Nel 1942 nasce il figlio Niklaus Manuel, che muore poco tempo dopo la nascita. Nel 1944 nasce Gabriel. Durante la guerra produce una serie di incisioni su legno con scene di guerra.<\/p>\n

Immediatamente dopo la fine della guerra ritorna a Parigi, dove abita in Rue de l\u2019Ancienne Com\u00e9die. All\u2019inizio ritorna al figurativo e i suoi temi principali sono: le stazioni della metropolitana, le Maisons ouvertes, le macellerie e i Jardins des Plantes, metafore dell\u2019esistenza umana. L\u2019opera di Moser di quel periodo \u00e8 caratterizzata dal dialogo fra la pittura francese e l\u2019espressionismo tedesco. Conosce Wols, la cui pittura diventa punto di partenza del Tachisme personale di Moser, sovrapposizione e opposizione di strutture astratte e segni figurativi combinati con un tocco dinamico.<\/p>\n

 <\/p>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/www.wilfridmoser.ch\/wp-content\/uploads\/2022\/04\/1-Wilfrid-Moser-Suisse-1936.jpg” alt=”Wilfrid Moser, Suiza, 1936″ title_text=”Wilfrid Moser, Suiza, 1936″ show_in_lightbox=”on” align=”center” _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ make_equal=”on” custom_padding_last_edited=”on|phone” _builder_version=”4.17.3″ _module_preset=”default” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” custom_padding=”||30px||false|false” custom_padding_tablet=”||30px||false|false” custom_padding_phone=”||15px||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”1_2″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/www.wilfridmoser.ch\/wp-content\/uploads\/2022\/04\/2-Wilfrid-Moser-Johanna-Gysi-Vieux-Colombier-Paris1948_.jpg” alt=”Wilfrid Moser – Johanna Gysi, Vieux-Colombier, Paris, 1948″ title_text=”Wilfrid Moser – Johanna Gysi, Vieux-Colombier, Paris, 1948″ show_in_lightbox=”on” align=”center” _builder_version=”4.17.0″ _module_preset=”default” positioning=”absolute” position_origin_a=”center_left” position_origin_a_tablet=”center_left” position_origin_a_phone=”center_left” position_origin_a_last_edited=”on|desktop” position_origin_f_tablet=”” position_origin_f_phone=”” position_origin_f_last_edited=”on|desktop” position_origin_r_tablet=”” position_origin_r_phone=”” position_origin_r_last_edited=”on|desktop” width=”100%” positioning_tablet=”none” positioning_phone=”none” positioning_last_edited=”on|phone” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”]

Gli anni cinquanta<\/h2>\n

Dal 1952 Moser vive fra Parigi e Ronco. Nel 1956 si divide da Jeanne. Nel 1958 conosce Eva Rosa Puig, figlia dello scrittore Puig y Ferreter, che quale ex Ministro degli Interni del governo repubblicano della Catalogna vive dal 1936 in esilio in Francia. Si sposa alla fine dell\u2019anno e intraprende con Eva un viaggio in Spagna. Nel 1985 rappresenta la Svizzera alla Biennale di Venezia. Nel 1959 prende parte alla 5. Biennale di Sao Paulo. Moser diventa una degli esponenti di punta del Tachisme a Parigi, sostenuto dai critici d\u2019arte Roger Van Gindertael, Herta Wescher e Charles Estienne. <\/p>\n

La pittura astratta gestuale di Moser degli anni cinquanta si differenza sin dall\u2019inizio nella sua espressivit\u00e0 dalla pittura della Seconda Scuola di Parigi. Segno caratteristico di questo periodo \u00e8 la tache, un tratto di spatola dinamico. Che si estrinseca in un bicordo o in una triade contrastanti. In tal modo la superficie del quadro prende ritmo, costruisce spazi e li trasforma in fauci e in abissi. Nelle composizioni astratte traspaiono i temi delle cattedrali, delle case, delle architetture urbane, delle scene mitologiche e storiche e delle impressioni paesaggistiche.<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ make_equal=”on” custom_padding_last_edited=”on|phone” _builder_version=”4.17.3″ _module_preset=”default” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” custom_padding=”||30px||false|false” custom_padding_tablet=”||30px||false|false” custom_padding_phone=”||15px||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”1_2″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”]

Agli inizi degli anni sessanta<\/h2>\n

Dal espressivo degli anni cinquanta si sviluppa all\u2019inizio degli anni sessanta, una pittura composta da forme figurative e striata da intense pennellate dinamiche in cui vengono apposti frammenti di collage, lettere e parole spezzate. La sua interpretazione della metropoli potrebbe essere considerata come una variet\u00e0 della Pop Art e una prefigurazione della \u201cpittura selvaggia\u201d degli anni ottanta. <\/p>\n

I temi del M\u00e9tro (i sotterranei della metropoli), di Euriloco e delle portinerie assumono, per la prima volta nella storia dell\u2019arte, una dimensione mitologica. Dal 1965 la pittura si allarga al tridimensionale: rilievi in legno, assemblaggi di assi, le prime sculture, alcune delle quali possono essere visitate all\u2019interno. Dal 1964 al 1972 \u00e8 membro della Commissione federale delle Belle Arti (CFA).<\/p>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/www.wilfridmoser.ch\/wp-content\/uploads\/2022\/04\/3-Wilfrid-Moser-Jean-Franc\u0327ois-Jaeger-Galerie-Jeanne-Bucher-Paris-1961_.jpg” alt=”Wilfrid Moser – Jean-Franc\u0327ois Jaeger, Galerie Jeanne Bucher, Paris, 1961″ title_text=”Wilfrid Moser – Jean-Franc\u0327ois Jaeger, Galerie Jeanne Bucher, Paris, 1961″ show_in_lightbox=”on” _builder_version=”4.17.0″ _module_preset=”default” positioning=”absolute” position_origin_a=”center_center” position_origin_a_tablet=”center_center” position_origin_a_phone=”center_center” position_origin_a_last_edited=”on|desktop” position_origin_f_tablet=”” position_origin_f_phone=”” position_origin_f_last_edited=”on|desktop” position_origin_r_tablet=”” position_origin_r_phone=”” position_origin_r_last_edited=”on|desktop” width=”100%” positioning_tablet=”none” positioning_phone=”none” positioning_last_edited=”on|phone” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row make_equal=”on” custom_padding_last_edited=”on|phone” _builder_version=”4.17.3″ _module_preset=”default” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” max_width=”645px” custom_padding=”||30px||false|false” custom_padding_tablet=”||30px||false|false” custom_padding_phone=”||15px||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”]

Gli anni settanta<\/h2>\n

Negli anni settanta, oltre ad abitare a Parigi e Ronco s\/Ascona, Moser soggiorna sempre pi\u00f9 spesso a Zurigo. Nel 1971 conosce la storica dell\u2019arte Tina Gr\u00fctter. Dal 1971 al 1978 \u00e8 presidente centrale della Societ\u00e0 dei pittori, degli scultori e degli architetti svizzeri (SPSS).<\/p>\n

Le sculture in materiale sintetico a strisce rosso-bianche (piccole e grandi sculture, alcune delle quali percorribili all\u2019interno) diventano segno di riconoscimento dell\u2019artista, che per\u00f2 poi sperimenta nuove forme pittoriche. Per accrescere la dimensione visionaria della terza dimensione, l\u2019artista ritorna dalla scultura alla tela. A partire dal motivo delle cave di pietra e dei paesaggi sassosi del San Gottardo dipinge paesaggi metaforici in spazi al di fuori del tempo: Le bout du monde, La derni\u00e8re neige, La clef de l\u2019ab\u00eeme, Acis, opere con cui nel 1980 rappresenta la Svizzera alla Biennale di Venezia.<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ make_equal=”on” _builder_version=”4.17.3″ _module_preset=”default” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”1_2″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/www.wilfridmoser.ch\/wp-content\/uploads\/2022\/04\/5-Wilfrid-Moser-Tina-Gru\u0308tter-GSMBA-Visarte-H.-Fries-G.-Krneta-R.-Lu\u0308thy-Bern-1974_.jpg” alt=”Wilfrid Moser – Tina Gru\u0308tter – GSMBA – Visarte (H. Fries, G. Krneta, R. Lu\u0308thy), Bern, 1974″ title_text=”Wilfrid Moser – Tina Gru\u0308tter – GSMBA – Visarte (H. Fries, G. Krneta, R. Lu\u0308thy), Bern, 1974″ show_in_lightbox=”on” align=”center” _builder_version=”4.17.0″ _module_preset=”default” custom_padding=”||30px||false|false” custom_padding_tablet=”||30px||false|false” custom_padding_phone=”||15px||false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/www.wilfridmoser.ch\/wp-content\/uploads\/2022\/04\/4-Wilfrid-Moser-Eva-Puig-Grand-Palais-Paris-1972_.jpg” alt=”Wilfrid Moser – Eva Puig, Grand Palais, Paris, 1972″ title_text=”Wilfrid Moser – Eva Puig, Grand Palais, Paris, 1972″ show_in_lightbox=”on” _builder_version=”4.17.3″ _module_preset=”default” positioning=”absolute” position_origin_a=”center_center” position_origin_a_tablet=”center_center” position_origin_a_phone=”center_center” position_origin_a_last_edited=”on|desktop” position_origin_f_tablet=”” position_origin_f_phone=”” position_origin_f_last_edited=”on|desktop” position_origin_r_tablet=”” position_origin_r_phone=”” position_origin_r_last_edited=”on|desktop” width=”100%” positioning_tablet=”none” positioning_phone=”none” positioning_last_edited=”on|tablet” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ make_equal=”on” custom_padding_last_edited=”on|phone” _builder_version=”4.17.3″ _module_preset=”default” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” custom_padding=”||30px||false|false” custom_padding_tablet=”||30px||false|false” custom_padding_phone=”||15px||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”1_2″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”]

Gli anni ottanta<\/h2>\n

Nel 1984 Wilfrid Moser riceve il Premio artistico del Canton Zurigo, nel 1985 il Ministero della cultura della Repubblica Francese gli conferisce il titolo di \u201cChevalier des Arts et Lettres\u201d. Negli anni ottanta viaggia molto per visitare le pi\u00f9 importanti collezioni d\u2019arte europee e si reca pi\u00f9 volte a Venezia.<\/p>\n

Dal 1985 al 1993 \u00e8 membro della Commissione acquisti del Kunsthaus di Zurigo. Sviluppa ulteriormente il realismo spaziale espressivo dipingendo una serie di alberi e di frammenti del sottobosco. Alla met\u00e0 degli anni ottanta riprende la pittura gestuale. I corpi pietrificati compatti si dissolvono, le strutture del sottobosco realistico mutano in intrecci di linee colorate.<\/p>\n

I percorsi motori sfociano in ritmi dinamici, le composizioni simboleggiano le lotte storiche e mitologiche ma esprimono i turbamenti di Moser per gli eventi di quel periodo. Stratificazioni di temi svolti in passato che si riassemblano in un tema unico grazie alla struttura lineare mossa e guizzante. Nel 1989 riceve il Premio artistico della citt\u00e0 di Zurigo (Laudatio di Stanislaus von Moos). Continua a dipingere intensificando l\u2019espressione coloristica e l\u2019espressivit\u00e0 della linea. Scene burlesche e macabre.<\/p>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/www.wilfridmoser.ch\/wp-content\/uploads\/2022\/04\/6-Wilfrid-Moser-Kunsthaus-Zu\u0308rich-1980_.jpg” alt=”Wilfrid Moser, Kunsthaus Zu\u0308rich, 1980″ title_text=”Wilfrid Moser, Kunsthaus Zu\u0308rich, 1980″ show_in_lightbox=”on” _builder_version=”4.17.0″ _module_preset=”default” positioning=”absolute” position_origin_a=”center_center” position_origin_a_tablet=”center_center” position_origin_a_phone=”center_center” position_origin_a_last_edited=”on|desktop” position_origin_f_tablet=”” position_origin_f_phone=”” position_origin_f_last_edited=”on|desktop” position_origin_r_tablet=”” position_origin_r_phone=”” position_origin_r_last_edited=”on|desktop” width=”100%” positioning_tablet=”none” positioning_phone=”none” positioning_last_edited=”on|desktop” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row make_equal=”on” custom_padding_last_edited=”on|phone” _builder_version=”4.17.3″ _module_preset=”default” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” max_width=”645px” custom_padding=”||30px||false|false” custom_padding_tablet=”||30px||false|false” custom_padding_phone=”||15px||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”]

Dal 1990<\/h2>\n

In questi anni compaiono nuovi temi: . I pastelli rivelano grande dinamismo e ricchezza barocca e trattano, oltre ai nuovi temi, quelli di sempre: dai alle Maisons ouvertes, che si presentano come scene del grande teatro universale in parata spettrale o in corteo festoso. <\/p>\n

Nel 1993 viene promosso Officier des Arts et Lettres del Ministero della cultura della Repubblica Francese. <\/p>\n

1997<\/h2>\n

Il 19 dicembre 1997 Wilfrid Moser muore in seguito a emorragia cerebrale.<\/p>[\/et_pb_text][et_pb_divider divider_weight=”2px” _builder_version=”4.17.0″ _module_preset=”default” custom_padding=”30px||||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row make_equal=”on” _builder_version=”4.17.3″ _module_preset=”default” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” max_width=”645px” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text admin_label=”Titre Expositions individuelles et de groupes, biennales” _builder_version=”4.17.0″ _module_preset=”default” header_2_font=”|700|||||||” text_orientation=”center” global_colors_info=”{}” theme_builder_area=”post_content”]

Esposizioni individuali e collettive, biennali<\/h2>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row make_equal=”on” custom_padding_last_edited=”on|phone” _builder_version=”4.17.3″ _module_preset=”default” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” custom_padding=”40px||10px||false|false” custom_padding_tablet=”30px||||false|false” custom_padding_phone=”20px||0px||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text admin_label=”Titre Expositions individuelles” _builder_version=”4.17.3″ _module_preset=”default” text_font=”||||on||||” header_2_font=”|700|||||||” global_colors_info=”{}” theme_builder_area=”post_content”]

Esposizioni individuali<\/h3>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ make_equal=”on” _builder_version=”4.17.3″ _module_preset=”default” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” custom_padding=”||0px||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”1_2″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text admin_label=”Expositions individuelles” _builder_version=”4.17.3″ _module_preset=”default” header_2_font=”|700|||||||” custom_margin=”||||false|false” custom_padding=”||||false|false” global_colors_info=”{}” theme_builder_area=”post_content”]\n\n\n\n\n\n\n\n\n\n\n
1953<\/strong><\/td>\nZurich, Zum Strauhof, W. Moser, 12.-30.1.<\/td>\n<\/tr>\n
1954<\/strong><\/td>\nLocarno, Galleria la Citadella, 1.9.-20.9.<\/td>\n<\/tr>\n
1958<\/strong><\/td>\nParis, Galerie Jeanne Bucher, Peintures r\u00e9centes de W. Moser, 14.11.-6.12.<\/td>\n<\/tr>\n
1961<\/strong><\/td>\nParis, Galerie Jeanne Bucher, Moser, 17.3.-8.4.<\/td>\n<\/tr>\n
1963<\/strong><\/td>\nOslo, Galleri Haaken, Wilfrid Moser. Separatutstilling, ab 28. September<\/td>\n<\/tr>\n
1964<\/strong><\/td>\nLuzern, Kunstmuseum, Moser, 30.8.-25.10.<\/td>\n<\/tr>\n
1965<\/strong><\/td>\nParis, Galerie Jeanne Bucher, Moser, 12.5.-5.6.<\/td>\n<\/tr>\n
1967<\/strong><\/td>\nLausanne, Galerie Alice Pauli, 12.5.-7.6.<\/td>\n<\/tr>\n
1970<\/strong><\/td>\nZurich, Kunsthaus, Moser, 24.03 – 10. 05
Paris, Galerie Jeanne Bucher, 28.05 – 27.06<\/td>\n<\/tr>\n<\/tbody>\n<\/table>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/www.wilfridmoser.ch\/wp-content\/uploads\/2022\/04\/expo-Exhibition-Wilfrid-Moser-Kunsthaus-Zurich-1970_.jpg” alt=”Exhibition Wilfrid Moser, Kunsthaus Zurich, 1970″ title_text=”Exhibition Wilfrid Moser, Kunsthaus Zurich, 1970″ show_in_lightbox=”on” align=”center” _builder_version=”4.17.3″ _module_preset=”default” positioning=”absolute” position_origin_a=”center_center” position_origin_a_tablet=”center_center” position_origin_a_phone=”center_center” position_origin_a_last_edited=”on|desktop” position_origin_f_tablet=”” position_origin_f_phone=”” position_origin_f_last_edited=”on|desktop” position_origin_r_tablet=”” position_origin_r_phone=”” position_origin_r_last_edited=”on|desktop” width=”100%” positioning_tablet=”none” positioning_phone=”none” positioning_last_edited=”on|phone” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row make_equal=”on” _builder_version=”4.17.3″ _module_preset=”default” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” custom_padding=”||||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text admin_label=”Expositions individuelles suite” _builder_version=”4.17.3″ _module_preset=”default” header_2_font=”|700|||||||” global_colors_info=”{}” theme_builder_area=”post_content”]\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1971<\/strong><\/td>\nAscona, Galleria Associazione Artisti Ascona, Moser, 27.3.-23.4.
Zurich, Galerie Scheidegger + Maurer, 7.10.-17.11.<\/td>\n<\/tr>\n
1972<\/strong><\/td>\nGenf, Artel Galerie<\/td>\n<\/tr>\n
1974<\/strong><\/td>\nZurich, Galerie Scheidegger + Maurer, Juni Biel, Kunstverein und Galerie 57, Wilfrid Moser, 19.10.-16.11.
Metz, Mus\u00e9es de Metz, Moser. Sculptures polychromes, 23.11.-5.1.1975<\/td>\n<\/tr>\n
1975<\/strong><\/td>\nWinterthur, Galerie ge, Skulpturen und Zeichnungen, 12.4.-6.5.<\/td>\n<\/tr>\n
1976<\/strong><\/td>\nZurich, Galerie Maurer, Januar<\/td>\n<\/tr>\n
1978<\/strong><\/td>\nFribourg, Galerie RB, Wilfrid Moser, 25.2.-25.3.
Zurich, Galerie Maurer, Marz-April Paris, Galerie Jeanne Bucher, Lieux et passages: recherche d’une dramatisation de l’espace, 25.5.29.6.
Zurich, Galerie Scheidegger, Bilder, Aquarelle, Zeichnungen, Holzschnitte, 19.10.-14.11.<\/td>\n<\/tr>\n
1979<\/strong><\/td>\nWinterthur, Galerie ge, 18.1.-17.2.
Basel, Paris, Galerie Jeanne Bucher, Art 10’79<\/td>\n<\/tr>\n
1980<\/strong><\/td>\nZurich, Galerie Maurer, Mai
Venedig, Biennale, Schweizer Pavillon (mit Peter Stein und Oscar Wiggli), 1.06.-28.9.
Bern, Kunstkeller, 18.10.-15.11.<\/td>\n<\/tr>\n
1981<\/strong><\/td>\nParis, Galerie Jeanne Bucher, Wilfrid Moser. Fragments de paysages. Aquarelles et pastels, 27.1.28.2.
Zurich, Galerie Semiha Huber, Bilder und Aquarelle 1979-1981, 22.5.-26.6.<\/td>\n<\/tr>\n
1982<\/strong><\/td>\nBern, Kunstkeller, Wilfrid Moser, 27.2.-3.4.
Zurich, Galerie Semina Huber
Zurich, Galerie Maurer, August
Zell (Luzern), Galerie Priska Meier, Wilfrid Moser. Werke von 1945-1982, 23.10.-28.11.<\/td>\n<\/tr>\n
1983<\/strong><\/td>\nWinterthur, Galerie ge, Wilfrid Moser, 25.2.-26.03.
Paris, Galerie Jeanne Bucher, Peintures et sculptures 1953-1983, 26.4.-4.6.<\/td>\n<\/tr>\n
1984<\/strong><\/td>\nChur, Galerie Giacometti, Bilder, Pastelle, Aquarelle, 19.4.-19.5.
Zurich, Galerie Maurer, April-Mai
Genf, Galerie Kara, Wilfrid Moser. Peitures, scultures, 7.6.-27.7.<\/td>\n<\/tr>\n
1985<\/strong><\/td>\nZell (Luzern), Galerie Priska Meier, Wilfrid Moser. Neue Werke, 20.4.-26.5.
Zurich, Galerie Maurer, Oktober-Dezember 20.12.<\/td>\n<\/tr>\n
1986<\/strong><\/td>\nWinterthur, Galerie ge, Wilfrid Moser, 4.4.-3.5.\nBiel, Galerie 57 Silvia Steiner, 18.10.-15.11.\nGenf, Galerie Kara, Peintures 1954-1986 (espace R), 20.11.-10.1.1987<\/td>\n<\/tr>\n
1987<\/strong><\/td>\nZurich, Galerie Maurer, Wilfrid Moser. Werke im Zusammenhang mit der Skulptur \u201eLeporello\u201c fur\ndas Kunsthaus Zurich, 9.4.-Ende Mai\nWinterthur, Galerie ge an der Art 18’87, 17.-22.6.\nZell (Luzern), Galerie Priska Meier, 17.10.-22.11.<\/td>\n<\/tr>\n
1988<\/strong><\/td>\nParis, Galerie Jeanne Bucher, Wilfrid Moser. Peintures 1985-88, 3.10.-12.11.<\/td>\n<\/tr>\n
1989<\/strong><\/td>\nWinterthur, Galerie ge, Wilfrid Moser, 30.3.-29.4.\nSchaan (FL), Galerie Theater am Kirchplatz, Malerei, Zeichnungen, Plastik, 16.9.-27.10.\nZurich, Galerie Maurer, November-Dezember<\/td>\n<\/tr>\n
1990<\/strong><\/td>\nZell (Luzern), Galerie Priska Meier, Werke von 1987-90, 6.10.-11.11.<\/td>\n<\/tr>\n
1991<\/strong><\/td>\nZurich, Galerie Maurer, Wilfrid Moser, 30.5.-5.7.\nWinterthur, Galerie ge, Wilfrid Moser, 23.8.-28.9.<\/td>\n<\/tr>\n
1992<\/strong><\/td>\nParis, Galerie Jeanne Bucher, FIAC, Grand-Palais, La chute des idoles et autres travaux r\u00e9cents accompagn\u00e9s de quelques tableaux de r\u00e9f\u00e9rence, 23.10.-1.11.<\/td>\n<\/tr>\n
1993<\/strong><\/td>\nZurich, Kunsthaus, Wilfrid Moser. Ein Schweizer Betrag zur europaischen Nachkriegskunst, 3.9. -31.10.<\/td>\n<\/tr>\n
1994<\/strong><\/td>\nWinterthur, Galerie ge, Wilfrid Moser. Bilder und Zeichnungen, 28.4.-21.5.<\/td>\n<\/tr>\n
1996<\/strong><\/td>\nBasel, Galerie Garzaniga & Ueker, Moser, 27.6.-10.8.<\/td>\n<\/tr>\n
1997<\/strong><\/td>\nParis, Galerie Jeanne-Bucher, FIAC, Grand-Palais, 24.4.-28.4.\nZurich, Graphisches Kabinett Kunsthaus, Pont Alexandre oder Die Alterheiterkeit des Wilfrid Moser. Pastelle 1993-1997, 5.12.-18.1.1998.<\/td>\n<\/tr>\n
1998<\/strong><\/td>\nParis, Galerie Jeanne-Bucher Wilfrid Moser. Le pont Alexandre III. Oeuvres ultimes 1994-1997, 5.11. -13.12 \/ Bellinzona, Villa dei Cedri, ab 12.3.\nWiesbaden, Galerie B. Haasner, Wilfrid Moser (1914-1997).\nOelbilder – Pastelle – Radierungen, 4.9. -16.10.<\/td>\n<\/tr>\n
1999<\/strong><\/td>\nZurich, Graphische Sammlung der ETH, Wilfrid Moser, 18.8.-15.10.\nBasel, Galerie Beyeler, Wilfrid Moser, 27.3.-29.5.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_5,2_5″ make_equal=”on” _builder_version=”4.17.3″ _module_preset=”default” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” custom_padding=”0px||||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”3_5″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text admin_label=”Expositions individuelles fin” _builder_version=”4.17.0″ _module_preset=”default” header_2_font=”|700|||||||” positioning=”absolute” position_origin_a=”center_center” position_origin_a_tablet=”center_center” position_origin_a_phone=”center_center” position_origin_a_last_edited=”on|desktop” position_origin_f_tablet=”” position_origin_f_phone=”” position_origin_f_last_edited=”on|desktop” position_origin_r_tablet=”” position_origin_r_phone=”” position_origin_r_last_edited=”on|desktop” width=”100%” positioning_tablet=”none” positioning_phone=”none” positioning_last_edited=”on|tablet” global_colors_info=”{}” theme_builder_area=”post_content”]\n\n\n\n\n\n
2000<\/strong><\/td>\nZurich, Galerie Lutz & Thalmann, Wilfrid Moser. Face \u00e0 face. Sp\u00e4te Pastelle im Dialog mit Bilder der 50er Jahren, 3.11.-9.12<\/td>\n<\/tr>\n
2002<\/strong><\/td>\nZurich, Galerie Lutz & Thalmann, Wilfrid Moser. Un mode de pierres. Steinbruche und Felslandschaften 1975-1991, 15.11.-21.12.
Dusseldorf, Art Cologne, Galerie Strelow, Wilfrid Moser. Bilder der 60er Jahre, 15.11.-11.1.2003.<\/td>\n<\/tr>\n
2006<\/strong><\/td>\nBasel, Galerie Carzaniga, Wilfrid Moser, 6.5.-24.6.
Dusseldorf, Galerie Strelow, Wilfrid Moser. Pariser Bilder, 24.11.-20.1.2007.<\/td>\n<\/tr>\n
2009<\/strong><\/td>\nBern, Kunstmuseum, Wilfrid Moser. Wegzeichen – Eine Retrospektive, 6.3.-14.6.
Locarno, Pinacoteca Casa Rusca, 19.7.-4.10.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/www.wilfridmoser.ch\/wp-content\/uploads\/2022\/04\/expo-Retrospektiv-Bern-2009.jpg” alt=”Retrospektiv Bern 2009″ title_text=”Retrospektiv Bern 2009″ show_in_lightbox=”on” align=”center” _builder_version=”4.17.3″ _module_preset=”default” position_origin_a=”center_center” position_origin_a_tablet=”center_center” position_origin_a_phone=”center_center” position_origin_a_last_edited=”off|tablet” position_origin_f_last_edited=”off|tablet” position_origin_r_last_edited=”off|tablet” width=”100%” positioning_tablet=”none” positioning_phone=”none” positioning_last_edited=”off|tablet” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row make_equal=”on” _builder_version=”4.17.3″ _module_preset=”default” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text admin_label=”Titre Expositions de groupe” _builder_version=”4.17.3″ _module_preset=”default” text_font=”||||on||||” header_2_font=”|700|||||||” global_colors_info=”{}” theme_builder_area=”post_content”]

Esposizioni collettive<\/h3>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ make_equal=”on” _builder_version=”4.17.3″ _module_preset=”default” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text admin_label=”Expositions de groupe” _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”]\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1949<\/strong><\/td>\nZurich, Kunsthaus, Junge Zurcher Kunstler, 10.9.-9.10.<\/td>\n<\/tr>\n
1951<\/strong><\/td>\nBern, Galerie Palette, 10 artistes d’aujourd’hui, 29.3.-24.4.\nStockholm, Galerie Blanche, Six jeunes peintres de Paris, April<\/td>\n<\/tr>\n
1951<\/strong><\/td>\nLausanne, Galerie d’art ancien et moderne, De l’art abstrait \u00e0 l’expression na\u00efve, 5.5.-30.5.\nParis, Palais du Kursaal et Salles d’Exposition de l’Acad\u00e9mie des Beaux-Arts de la R\u00e9sidence du Louvre, 1\u00e8re Biennale de peinture de France, 3.8. -1.10.<\/td>\n<\/tr>\n
1952<\/strong><\/td>\nParis, Galerie Jeanne Bucher, N allard, Fiorini, Moser, 10.10. -1.11.\nZurich, Kunsthaus, Ein Querschnitt. Malerei in Paris – heute, 18.10.-23.12.\nParis, Salle Andr\u00e9 Baug\u00e9, 1 er Salon d’octobre, Hommage \u00e0 Marcel Duchamp, 24.10.-14.11.\nZurich, Helmhaus, Zurcher Kunstler im Helmhaus, 29.11.-4.1.<\/td>\n<\/tr>\n
1953<\/strong><\/td>\nParis, Galerie Max Kaganovitch, Prix Buhrle. Premi\u00e8re Exposition, 5.-20.12.\n1953\nAachen, Surmondt-Museum, Malerei von heute. Eine deutschjranz6sische Ausstellung, 10.5.-6.6.\nParis, Galerie Jeanne Bucher, Bertholle – Bissi\u00e8re – Moser – Nallard – Reichel-Viera da Silva. Peintures et aquarelles, 13.6.-15.7.\nParis, Centre Saint-Jacques, 10 peintres, 1 sculpteur, 24.6.-13.7.\nZurich, Turnhalle Klingen, Kunstausstellung Zurich. R\u00e9veil, 3.-18.10.\nNew York, Grand Central Art Galleries, News, 5.-24.10.\nAix-La-Chapelle, Peinture d’aujourd’hui en France et en Allemagne \/ Duren \/ K\u00f6ln\nZurich, Galerie Chichio Haller, La Galerie J Bucher pr\u00e9sente 6 peintres de Paris\nMadrid, Museo de Arte Contemporaneo, Arte abstracto<\/td>\n<\/tr>\n
1954<\/strong><\/td>\nParis, Galerie Jeanne Bucher, Vielfaure, Fiorini, Moser, Chelimsky, Nallard, Louttre, 9.-28.2.\nParis, Galerie Arnaud, Divergences, Juli-September\n1955\nParis, Galerie Jeanne Bucher, Chelimsky, Nallard, Gillet, Moser, Louttre, Aguayo, 1.-19.2.\nAachen, Suermondt Museum, Ausstellung Gemeinschqfi Junger Europiiischer Kunstler, Mai\nParis, Petit Palais, Artistes \u00e9trangers en France, ab 10.6.\nParis, Galerie Arnaud, Divergences 3, Juli-September\nParis, Galerie Craven, Six peintres actuels, 22.10.-19.11.\nMannheim, Stadtische Kunsthalle, 19 Franz\u00f6sische Maler, 12.11.-4.12.\nDusseldorf, Centre d’\u00e9tudes francaises Dusseldorf, Ausstellung Gemeinschaft junger europaischer Kunstler<\/td>\n<\/tr>\n
1956<\/strong><\/td>\nBasel, Kunsthalle, 10 Zurcher Maler, 15.5.-24.6.\nParis, Galerie Craven, 32 Peintres, 1.6.-31.7.\nChavigny, Ch\u00e2teau d’Harcourt, 1\u00e8re exposition d’art contemporain de Chauvigny, 5.8.-15.9.\nParis, Galerie 93,16 peintres de la jeune Ecole de Paris, 4.-29.12.\nParis, Galerie Arnaud, divergences 4, 20.12.-9.1.<\/td>\n<\/tr>\n
1957<\/strong><\/td>\nAmiens, Mus\u00e9e, Permanence de l’Art 1957\nZurich, Kunsthaus, Collection Moltzau, 9.2. – 31.3.\nKopenhagen \/ La Haye \/ Oslo, Kunstindustrimuseet, 10.6.-26.8.\nParis, Louis Carr\u00e9 & Cie, Carrade, Lagage, Moser, Staritsky, Wessel, 12.4.-4.5.\nParis, Galerie Creuze, 50 ans de peinture abstraite, 9.5.-12.6.\nParis, Galerie Arnaud, Divergences 5, Juli-September\nNeuch\u00e2tel, Mus\u00e9e des Beaux-Arts, La peinture abstraite en Suisse, 15.9.-18.11\nZurich, Kunsthaus, Wolf Barth, Helen Dahm, Walter Helbig, Wilfried Moser, Charles Rollier, G\u00e9rard Vulliamy,21.12.-2.2.<\/td>\n<\/tr>\n
1958<\/strong><\/td>\nParis, Galerie La Roue, Pr\u00e9sence du blanc\n1958\nWinterthur, Kunstmuseum, Ungegenstandliche Malerei in der Schweiz, 18.1.-9.3.\nBerlin, Kongress-halle, 2.4.-27.4.\nLinz, Neue Galerie der Stadt Linz, Wolfgang Gurlitt Museum, 25 Jahre Zurcher Kunstankaufe, Mai-Juni\nParis, XIV” Salon de Mai, Mus\u00e9e d’Art moderne de la Ville de Paris, Il.5.-01.06.\nVenedig, XXIX. Biennale, 14.6.-19.10.\nParis, Galerie Arnaud, Divergences 6, Juni-September\nCharleroi, Palais des Expositions Charleroi, L Art du xXme, 5.7.-14.9.\nParis, Mus\u00e9e des Beaux-Arts de la Ville de Paris, l3\u00e8me Salon des R\u00e9alit\u00e9 Nouvelles. 7.7.-3.8.\nRecklinghausen, Kunsthalle, 13. Salon ’58 Paris. R\u00e9alit\u00e9s Nouvelles. Nouvelles R\u00e9alit\u00e9s. 26.9.-5.10.\nPittsburgh, Carnegie Institute, The 1958 Pittsburgh International Exhibition of Contemporary Painting & Sculpture, 5.12.-8.2.<\/td>\n<\/tr>\n
1959<\/strong><\/td>\nParis, Ambassade Suisse, Peintres, sculpteurs et architectes suisses, 6.-14.12.\nMannheim, Stadtische Kunsthalle, Nouvelle Ecole de Paris – Franzosische Malerei der Gegenwart, 13.12.- l 8. 1.1959\nParis, Mus\u00e9e des Beaux-Arts de la Ville de Paris, 14\u00e8me Salon des R\u00e9alit\u00e9s Nouvelles, 6.-26.7.\nBern, Kunsthalle, 4 Maler. T\u00e0pies, Alechinsky, Messagier, Moser,26.9.-25.10.\nSao Paulo, 5. Biennale, Sektion Schweiz, Art et Nature, September\nZurich, Zurcher Kunstler im Helmhaus und Stadthaus, 8.11.-31.12.<\/td>\n<\/tr>\n
1960<\/strong><\/td>\nParis, Galerie Raymonde Cazenave, Permanence et actualit\u00e9 de la peinture. 15 toiles choisies par R. V. Gindertael,25.3.-29.4.\nParis, Galerie Jeanne Bucher, Hommage Jeanne Bucher. R\u00e9trospective 1925-1960,6.5.-30.6.\nParis, Mus\u00e9e d’Art moderne de la Ville de Paris, XVIe Salon de Mai, 8.-29.5.\nZurich, Kunsthaus, Salon de Mai, Paris 1960, 11.6.-24.7.\nParis, Galerie Charpentier, Ecole de Paris, 9.11.-Januar 1961<\/td>\n<\/tr>\n
1961<\/strong><\/td>\nParis, Salon d’Automne\nEindhoven, Stedelijk Van Abbe Museum, Kompas, Paris, Carrefour de la peinture, 9.12.-12.2.1962<\/td>\n<\/tr>\n
1962<\/strong><\/td>\nMontrouge, Salle des f\u00eates, Peintres et sculpteurs actuels. Exposition ligne 4, 10.-27.5.\nEindhofen, Stedelijk von abbe-museum, Eindhofen, 1945-1961.\nSchilders uit parijs \/Paris, Carrefour de la culture\nParis, Galerie XXe Si\u00e8cle, Le Relief\nDusseldorf, Galerie Ina Fuchs, Gillet, Moser, Nallard\nParis, Salon d’Automne<\/td>\n<\/tr>\n
1963<\/strong><\/td>\nParis, Mus\u00e9e d’Art Moderne, Collection Sonia Henie\/Niels Onstad, 26.1.-24.2.\nGenf, Mus\u00e9e d’Art et d’Histoire\nLausanne, Mus\u00e9e cantonal des Beaux-Arts, 1er Salon International de Galeries Pilotes, 20.6.-22.9.\nSao Paulo, Museu de Arte Moderna, 7. Biennale (mit Walter Linck und Rolf Iseli), September-Dezember\nParis, Galerie Claude Bernard, Sculptures de peintres\nTorre Pellice, 14a Mostra d’Arte Contemporanea\nParis, Galerie Charpentier, Ecole de Paris<\/td>\n<\/tr>\n
1964<\/strong><\/td>\nLausanne, Mus\u00e9e cantonal des Beaux-Arts, L’art Suisse au XX’ si\u00e8cle \/ Schweizer Kunst im 20. Jahrhundert, 30.4.-25.10.\nGenf, La Galerie arts et culture, Art suisse contemporain, Juli-September\nSaint-Etienne, Mus\u00e9e, 50 ans de collages<\/td>\n<\/tr>\n
1965<\/strong><\/td>\nParis, Mus\u00e9e des Beaux-Arts de la Ville de Paris, 20\u00e9me Salon des R\u00e9alit\u00e9s Nouvelles, 5.-27.4.\nZurich, Helmhaus, Zurcher Kunstler im Helmhaus, 27.11.-23.12.\nBern, Kunstmuseum, 100 Jahre GSAMBA. Jublilaums-Ausstellung der Gesellschaft Schweizerischer Maler, Bildhauer und Architekten, 7.11.-19.12.\nTokyo, Les Fauves \/ Kyoto\nCaen, Maison de la Culture, Exposition Galerie J. Bucher<\/td>\n<\/tr>\n<\/tbody>\n<\/table>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text admin_label=”Expositions de groupe” _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”]\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1966<\/strong><\/td>\nBasel, Kunsthalle, Zurcher Kunstler in der Kunsthalle, 6.1.-23.1.
Pforzheim, Kunst- und Kunstgewerbeverein, Schweizer Malerei und Plastik 1945-1965, 13.2.-13.3.
Koblenz, Mittelrhein-Museum, 3.4.-1.5.
Kassel, Kasseler Kunstverein, 15.5.-12.6.
1966
Kaiserslautern, Pfalzische Landesgewerbeanstalt, 26.6.-24.7.
Wuppertal, Kunst- und Museumsverein, Il.9.-16.10.
Bremen, Kunsthalle, 6.11.-4.12.
Menton, Biennale<\/td>\n<\/tr>\n
1967<\/strong><\/td>\nSchiedam, Stedelijk Museum, 8 peintres de Paris (Abboud, Debr\u00e9, Karskaya, Messagier, MioUe, Moser, Nallard, Rebeyrolle), 26.4.-29.5
Genf, Mus\u00e9e Rath, Le visage de l’homme dans l’art contemporain, 1.7.-17.09.
Havanna, Salon de mayo. Pabellon Cuba, Ausstellungshalle Havanna, Juli 1967
Paris, Mus\u00e9e Galli\u00e9ra, Une aventure de l’art abstrait 1957-67, 15.9.-13.10.
Nantes, Mus\u00e9e des Beaux-Arts \/ Brest \/ Orl\u00e9ans
Paris, Galerie Claude Bernard, Le Portrait<\/td>\n<\/tr>\n
1968<\/strong><\/td>\nParis, Hotel Drouot, Tableaux Modernes. Vente au profit des oeuvres sociales de la commission centrale de l’enfance, 17.5.
Luzern, Kunstmuseum, Neue Formen expressionistischer Malerei seit 1950, 28.7.-22.9.
Aarau, Kunsthaus, GSMBA, September-Oktober<\/td>\n<\/tr>\n
1969<\/strong><\/td>\nParis, Galerie Jeanne Bucher, L’heure du go\u00e9mon, 7.-30.11.<\/td>\n<\/tr>\n
1970<\/strong><\/td>\nBasel, Kunsthalle, Das offene Museum – Die Stadt, 3.10.-22.11.<\/td>\n<\/tr>\n
1971<\/strong><\/td>\nAarau, Aargauer Kunsthaus, Les Suisses de Paris, 13.3.-10.4.
Bourges, Maison de la Culture, Peintres de Paris: Debr\u00e9, Messagier, Miotte, Moser, Nallard, Rebeyrolle
Tokyo, Salon d’Automne<\/td>\n<\/tr>\n
1972<\/strong><\/td>\nZurich, Stadtische Kunstkammer zum Strauhof, Freiheit fur das griechische Volk. Kollektive Ausstellung Schweizer Kunstler zugunsten eines demokratischen Griechenlands, 18.4.-6.5.
Bochum, Museum Bochum Kunstsammlung, Schweizer Kunst heute, 30.9.-19.11.
Tel Aviv, Museum Tel Aviv, Art suisse contemporain, ab 28.11.
Paris, Grand-Palais, L’Art Suisse contemporain \/31 artistes Suisses<\/td>\n<\/tr>\n
1973<\/strong><\/td>\nZurich, Galerie Scheidegger + Maurer, Samuel Buri, Annie Frey, Theo Gerber, Gottlieb Kurfiss, Wilfried Moser, Varlin, 18.1.-1.3.
Thun, Kunstsammlung der Stadt Thun, Carl Liner, Wilfrid Moser, 3.2.-11.3.
Bochum, Stadtisches Museum, Profile X Schweizer Kunst heute \/ Neue Galerie am Landesmuseum Joanneum im Kunstlerhaus, Graz, 10.2.-11.3.
Aarau, Aargauer Kunsthaus, Zurcher Kunstler, 8.9.-7.10.
Budapest, Biennale<\/td>\n<\/tr>\n
1974<\/strong><\/td>\nGenf, 17 artistes suisses, 15.6.-15.9.<\/td>\n<\/tr>\n
1978<\/strong><\/td>\nZurich, Kunsthaus, Beginn des Tachismus in der Schweiz, 27.1-12.3.<\/td>\n<\/tr>\n
1980<\/strong><\/td>\nVenedig, Schweizer Pavillon der Biennale, Wilfrid Moser. Peter Stein. Oscar Wiggli, 1.6.-28.9.
Paris, Mairie annexe du 6e arrondissement, Peintres de l’Abstraction lyrique \u00e0 Saint-Germain-des-Pr\u00e9s. 1946-1956,6.6.-5.7.<\/td>\n<\/tr>\n
1981<\/strong><\/td>\nInnsbruck, Tiroler Kunstpavillon, Zeichnungen von 13 Schweizer Bildhauern, 20.3.-12.4.1
Wien, Modern art Galerie, 14.5.-6.6.
Klagenfurt, Karntner Landesgalerie, 24.6.-19.7.
Zurich, Galerie Semiha Huber, Meister der lyrischen Abstraktion, ab 7.10
Zurich, Kunsthaus Zurich, Dreissiger Jahre Schweiz. Ein Jahrzehnt im Widerspruch, 30.10.-10.1.<\/td>\n<\/tr>\n
1982<\/strong><\/td>\nWinterthur, Galerie ge, Skulpturen<\/td>\n<\/tr>\n
1984<\/strong><\/td>\nParis, Le centre national des art plastique, Charles Estienne & l’art \u00e0 Paris 1945-1966, 21.6.-2.9.
Winterthur, Galerie ge in der Kunsthalle Waaghaus, JO Jahre Galerie ge (mit Ulrich Elsener, Bendicht Fivian, Hannes Vogel), 5.10.-17.11
Paris, Mus\u00e9e des Arts D\u00e9coratifs, Sur Invitation
Clermont-Ferrand, Biennale du dessin
1985
Zurich, Graphik-Sammlung ETH, Neue Formen und Formulierungen. Ungegenstandliche und experimentelle Formulierungen, 30.7.-1.9.
Heidelberg, Kunstverein, Der Baum, 27.9.-31.10. \/ Saarbrucken, Stadtgalerie Saarbrucken, 15.12.-23.2.<\/td>\n<\/tr>\n
1986<\/strong><\/td>\nParis, Salon de Mai
1986
Karlsruhe, Stadtische Galerie im Prinz-Max-Palais, Konstruktion und Geste Schweizer Kunst der 50er Jahre, 12.4.-22.6.
Munster, Westfalisches Landesmuseum fur Kunst und Kulturgeschichte, 13.7.-7.9.
Schaffhausen, Museum zu Allerheiligen, 28.9.-23.11.
Luzern, Galerie Fischer, Pioniere der Neuen Schweizer Malerei. 50 Jahre Schweizer Kunst, 9.8.-10.9.
Brig und Visp, Galerie Zur Matze und Galerie Zur Schutzenlaube, Das Schweizer Aquarell, 28.9.-19.10.
Winterthur, Galerie ge, Bilder, Zeichnungen
1987
Interlaken, Galerie, Kursaal \/ CC CI, Schweizer Aquarelle 1, 31.5.-26.6.<\/td>\n<\/tr>\n
1988<\/strong><\/td>\nOlten, Kunstmuseum, Copain Vincent. Van Goghs Einfluss auf Schweizer Kunstler, 28.5.-10.7.
Zug, Kunsthaus, Holz 1. Vom Material zum Ausdruck. Holzschnitte und Holz, 19.6.-11.9.<\/td>\n<\/tr>\n
1992<\/strong><\/td>\nParis, Galerie Jeanne Bucher, l’arri\u00e8re-pays, 7.2.-28.3.
Locarno, Pinacoteca comunale Casa Rusca, Arp e amici, 31.5.-16.8.
Winterthur, Galerie ge, Zeichnungen von Schweizer Kunstlern<\/td>\n<\/tr>\n
1993<\/strong><\/td>\nBonn, Galerie der Friedrich-Ebert-Stiftung, Gegendruck. Schweizer Kunstlergraphik von Alberto Giacometti bis Urs Luthi, 4.3.-16.4.
Innsbruck, Galerie im Taxispalais, 22.6.-6.8.
Zurich, Graphische Sammlung der ETH, 25.8.-24.9.
Schaffhausen, Museum zu Allerheiligen, Kunstverein, Gesichte (Disler, Ikemura, Iseli, Kratzky, Melcher, Moser, Radelfinger, Raetz, Roesch, Scapa, Schifferle, Wick), 6.6.-15.8.
Chur, Bundner Kunstmuseum, 4.2.-4.4.1994<\/td>\n<\/tr>\n
1996<\/strong><\/td>\nPully, Mus\u00e9e de Pully, 6x informel, 10.10.-9.2.1997<\/td>\n<\/tr>\n
1997<\/strong><\/td>\nParis, Galerie Jeanne-Bucher, Pour un jubil\u00e9: 1947-1997, 30.9.-6.10.<\/td>\n<\/tr>\n
1999<\/strong><\/td>\nBasel, Galerie Beyeler, Wilfrid Moser. Letzte Werke, Franz Fedier. Arbeiten aus den 60er Jahren, Karl Gerstner. Genesis 1962-1998,27.3.-29.5.
Basel, Galerie Carzaniga + Ueker, Informelle Malerei der 50er und 60er Jahre, 12.8.-18.9.<\/td>\n<\/tr>\n
2002<\/strong><\/td>\nParis, Galerie Jeanne-Bucher, Paysage, vue de l’esprit, 31.10.-30.11.<\/td>\n<\/tr>\n
2003<\/strong><\/td>\nLentos Kunstmuseum Linz. Paris 1945-1965. Metropole der Kunst. Jahrezehnte des Aufbruchs. 11.12.2003-22.03.2004<\/td>\n<\/tr>\n
2004<\/strong><\/td>\nZurich, Galerie Ren\u00e9e Ziegler, They loved Paris in the fifties. Kunstler aus den USA und der Schweiz in Paris, 16.4.-3.7.<\/td>\n<\/tr>\n
2005<\/strong><\/td>\nBasel, Galerie Carzaniga, First Choice. From Private Collections. Von Arp bis Varlin. Lichtblicke aus Privatsammlungen,4.6.-16.7.
Zurich, artebafineart, Moderne Schweizer Kunst. 25 Orginalwerke, 5.12.-24.2.2006.<\/td>\n<\/tr>\n
2006<\/strong><\/td>\nZurich, Galerie Lutz & Thalmann, Urban rhythm, 16.6.-22.7.<\/td>\n<\/tr>\n
2007<\/strong><\/td>\nVilleneuve-sur-Lot, Mus\u00e9e de Gajac, L’action pensive, 22.2.-20.4.
Saint-Louis, Espace d’art contemporain Fernet-Branca, Faces \u00e0 faces. La peinture en question, 9.6.-14.10.<\/td>\n<\/tr>\n
2008<\/strong><\/td>\nBasel, Galerie Carzaniga, First Choice. From Private Collections IV, 19.1.-1.3.
Zug, Kunsthaus Zug, Die Sammlung, erweitert, 6.7.-31.8.<\/td>\n<\/tr>\n
2009<\/strong><\/td>\nBellinzona, Museo Villa dei Cedri, Arte e Natura, 5.4 .-28.6.<\/td>\n<\/tr>\n
<\/td>\nMus\u00e9e d’art de Sion. Explosions lyriques. La peinture abstraite en Suisse 1950-1065. 14.11.2009-11.04.2010<\/td>\n<\/tr>\n<\/tbody>\n<\/table>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding_last_edited=”on|phone” _builder_version=”4.17.3″ _module_preset=”default” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” custom_padding=”40px||0px||false|false” custom_padding_tablet=”30px||||false|false” custom_padding_phone=”20px||||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text admin_label=”Titre Biennales” _builder_version=”4.17.3″ _module_preset=”default” text_font=”||||on||||” position_origin_a=”center_center” position_origin_a_tablet=”center_center” position_origin_a_phone=”center_center” position_origin_a_last_edited=”on|desktop” position_origin_f_tablet=”” position_origin_f_phone=”” position_origin_f_last_edited=”on|desktop” position_origin_r_tablet=”” position_origin_r_phone=”” position_origin_r_last_edited=”on|desktop” width=”100%” custom_padding=”||30px||false|false” positioning_tablet=”none” positioning_phone=”none” positioning_last_edited=”on|tablet” global_colors_info=”{}” theme_builder_area=”post_content”]

Biennali<\/h3>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_5,2_5″ make_equal=”on” _builder_version=”4.17.3″ _module_preset=”default” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”3_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text admin_label=”Biennales” _builder_version=”4.17.3″ _module_preset=”default” positioning=”absolute” position_origin_a=”center_center” position_origin_a_tablet=”center_center” position_origin_a_phone=”center_center” position_origin_a_last_edited=”on|desktop” position_origin_f_tablet=”” position_origin_f_phone=”” position_origin_f_last_edited=”on|desktop” position_origin_r_tablet=”” position_origin_r_phone=”” position_origin_r_last_edited=”on|desktop” width=”100%” positioning_tablet=”none” positioning_phone=”none” positioning_last_edited=”on|tablet” global_colors_info=”{}” theme_builder_area=”post_content”]\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/td>\nVenedig \/ Venise<\/td>\n<\/tr>\n
<\/td>\n <\/td>\n<\/tr>\n
1958<\/strong><\/td>\nXXIX\u00e8me Biennale, Pavillon Suisse, 14.6.-19.10.<\/td>\n<\/tr>\n
1980<\/strong><\/td>\nXL\u00e8me Biennale, Pavillon Suisse, 1.6.-28.9.<\/td>\n<\/tr>\n
<\/strong><\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nSao Paulo<\/td>\n<\/tr>\n
<\/td>\n <\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
1959<\/strong><\/td>\n5. Biennale, Museu de Arte Moderna, Art et Nature<\/em>, September<\/td>\n<\/tr>\n
1963<\/strong><\/td>\n7. Biennale, September-Dezember<\/td>\n<\/tr>\n<\/tbody>\n<\/table>[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/www.wilfridmoser.ch\/wp-content\/uploads\/2022\/04\/expo-Biennale-Venezia-1980_.jpg” alt=”Biennale Venezia, 1980″ title_text=”Biennale Venezia, 1980″ show_in_lightbox=”on” _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

Wilfrid Moser \u00e8 nato il 10 giugno 1914 a Zurigo nel quartiere di Enge. Suo padre \u00e8 sinologo, sua madre insegnante di piano. L\u2019attivit\u00e0 del padre, docente universitario, permette al giovane Wilfrid di vivere in diverse citt\u00e0 europee e di familiarizzare con la loro cultura. La casa dei genitori a Zurigo \u00e8 frequentata da molti […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","inline_featured_image":false,"footnotes":""},"class_list":["post-1093","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.wilfridmoser.ch\/it\/wp-json\/wp\/v2\/pages\/1093","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.wilfridmoser.ch\/it\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.wilfridmoser.ch\/it\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.wilfridmoser.ch\/it\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.wilfridmoser.ch\/it\/wp-json\/wp\/v2\/comments?post=1093"}],"version-history":[{"count":1,"href":"https:\/\/www.wilfridmoser.ch\/it\/wp-json\/wp\/v2\/pages\/1093\/revisions"}],"predecessor-version":[{"id":1094,"href":"https:\/\/www.wilfridmoser.ch\/it\/wp-json\/wp\/v2\/pages\/1093\/revisions\/1094"}],"wp:attachment":[{"href":"https:\/\/www.wilfridmoser.ch\/it\/wp-json\/wp\/v2\/media?parent=1093"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}