{"id":1091,"date":"2022-03-18T19:42:11","date_gmt":"2022-03-18T18:42:11","guid":{"rendered":"https:\/\/www.wilfridmoser.ch\/biografy\/"},"modified":"2022-05-03T10:18:23","modified_gmt":"2022-05-03T08:18:23","slug":"biografy","status":"publish","type":"page","link":"https:\/\/www.wilfridmoser.ch\/en\/biografy\/","title":{"rendered":"Biografy"},"content":{"rendered":"\n[et_pb_section fb_built=”1″ _builder_version=”4.17.3″ _module_preset=”default” custom_padding=”0px||||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_row make_equal=”on” custom_padding_last_edited=”on|phone” _builder_version=”4.17.3″ _module_preset=”default” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” max_width=”645px” custom_padding=”||30px||false|false” custom_padding_tablet=”||30px||false|false” custom_padding_phone=”||15px||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.17.3″ _module_preset=”default” position_origin_a=”center_left” position_origin_a_tablet=”center_left” position_origin_a_phone=”center_left” position_origin_a_last_edited=”off|desktop” position_origin_f_last_edited=”off|desktop” position_origin_r_last_edited=”off|desktop” width=”100%” custom_padding=”||30px||false|false” positioning_tablet=”none” positioning_phone=”none” positioning_last_edited=”off|desktop” global_colors_info=”{}” theme_builder_area=”post_content”]

Wilfrid Moser<\/strong> was born in Zurich-Enge on June 10, 1914. His father was a sinologist, his mother a piano teacher. Due to his father\u2019s teaching assignments in European universities, Wilfrid very early gets to know several cities and their culture. In the Zurich family home, he meets such painters as Otto Baumberger, Albert Pfister and Henri Wabel, among other figures of the local arts scene.<\/p>\n

His early drawings, spurred by personal encounters, literary discoveries, travel impressions and visits to exhibitions, show a striking sense of colour and lyricism (Zoos, Cityscapes from One Thousand and One Nights, Skaters etc.). In 1930, some of them are published in the Schweizer Spiegel<\/em>.<\/p>[\/et_pb_text][et_pb_text _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”]

Around 1920<\/h2>\n

The family settles for some time in Siena, whose cathedral will later play an important role in the artist\u2019s oeuvre. During the family\u2019s repeated sojourns in Venice, the boy is deeply impressed by the Giudecca, which is to become another recurrent theme in his later work.<\/p>\n

In 1929, the boy Wilfrid is crowned best shot (Sch\u00fctzenk\u00f6nig<\/em>) of Zurich. Although he had already opted for a career as a painter in 1932, he continues for about half a year to study the violin (alongside Michael Mann) in Wilhelm de Boor\u2019s master class, then first violinist with the Tonhalle Orchestra; he also continues his studies of the classical violin which he had taken up at a very young age at the Zurich conservatory. He travels to Paris, Berlin, Italy and the Soviet Union and studies painting by himself; he pays a visit to Ensor in Oostende and travels with Nicolas de Stael, to Morocco and Spain, in 1935 to 1938. In 1939, before the outbreak of the war, he is in Paris. In Zurich, he develops a friendship with the painter Varlin, who invites him to take part in a joint exhibition. He produces figurative paintings and drawings, influenced by Utrillo, Rouault and Ensor: architecture in broken perspectives, funfair scenes and the Jardin des Plantes in poetic defamiliarisation.<\/p>\n

 <\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ make_equal=”on” custom_padding_last_edited=”on|phone” _builder_version=”4.17.3″ _module_preset=”default” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” custom_padding=”||30px||false|false” custom_padding_tablet=”||30px||false|false” custom_padding_phone=”||15px||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”1_2″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.17.3″ _module_preset=”default” positioning=”absolute” position_origin_a=”center_center” position_origin_a_tablet=”center_center” position_origin_a_phone=”center_center” position_origin_a_last_edited=”on|desktop” position_origin_f_tablet=”” position_origin_f_phone=”” position_origin_f_last_edited=”on|desktop” position_origin_r_tablet=”” position_origin_r_phone=”” position_origin_r_last_edited=”on|desktop” width=”100%” positioning_tablet=”none” positioning_phone=”none” positioning_last_edited=”on|phone” global_colors_info=”{}” theme_builder_area=”post_content”]

From 1940 to 1945<\/h2>\n

He serves in the Swiss Army. He marries Jeanne Gysi and settles in Ronco s\/Ancona where he builds a house and studio. 1942, birth of their first son, Niklaus Manuel, who dies just after his birth. 1944, birth of their son Gabriel. During the war he produces expressionist woodcuts of war scenes.<\/p>\n

Immediately after the war, he returns to Paris, where he lives in the rue de l\u2019Ancienne Com\u00e9die. In the early figurative works of this period, whose key themes \u2013 m\u00e9tro stations, open houses, butcher\u2019s shops, Jardin des Plantes \u2013 emerge as metaphors of the human condition, his painting is already marked by a dialogue between German expressionism and French painting. Having come to know Wols and his work, Moser ventures into tachist territory and develops a personal style made up of dynamic layerings of conflicting abstract structures and figurative signs.<\/p>\n

 <\/p>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/www.wilfridmoser.ch\/wp-content\/uploads\/2022\/04\/1-Wilfrid-Moser-Suisse-1936.jpg” alt=”Wilfrid Moser, Switzerland, 1936″ title_text=”Wilfrid Moser, Switzerland, 1936″ show_in_lightbox=”on” align=”center” _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ make_equal=”on” custom_padding_last_edited=”on|phone” _builder_version=”4.17.3″ _module_preset=”default” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” custom_padding=”||30px||false|false” custom_padding_tablet=”||30px||false|false” custom_padding_phone=”||15px||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”1_2″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/www.wilfridmoser.ch\/wp-content\/uploads\/2022\/04\/2-Wilfrid-Moser-Johanna-Gysi-Vieux-Colombier-Paris1948_.jpg” alt=”Wilfrid Moser – Johanna Gysi, Vieux-Colombier, Paris, 1948″ title_text=”Wilfrid Moser – Johanna Gysi, Vieux-Colombier, Paris, 1948″ show_in_lightbox=”on” align=”center” _builder_version=”4.17.0″ _module_preset=”default” positioning=”absolute” position_origin_a=”center_left” position_origin_a_tablet=”center_left” position_origin_a_phone=”center_left” position_origin_a_last_edited=”on|desktop” position_origin_f_tablet=”” position_origin_f_phone=”” position_origin_f_last_edited=”on|desktop” position_origin_r_tablet=”” position_origin_r_phone=”” position_origin_r_last_edited=”on|desktop” width=”100%” positioning_tablet=”none” positioning_phone=”none” positioning_last_edited=”on|phone” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”]

From the 1950s onwards<\/h2>\n

Moser lives alternately in Paris and Ronco. In 1956, he divorces from Johanna. In 1958, he meets Eva Rosa Puig, daughter of the writer Puig y Ferreter, a former Minister of the Interior of the republican government of Catalonia, who had been in exile in France since 1936. Towards the end of the year, Wilfrid and Eva marry and travel to Spain. In 1958, he represents Switzerland at the Venice Biennial. In 1959, he participates in the Sao Paolo Biennial.<\/p>\n

Supported by art critics Roger Van Gindertael, Herta Wescher and Charles Estienne, Moser becomes one of the leading exponents of \u201ctachism” in Paris. From the beginning in the fifties, Moser\u2019s abstract gestural painting demarcates itself from the Second School of Paris by its powerful expressivity. His personal version of the \u201ctache\u201d consists of a dynamic painting knife stroke of two or three contrasting colours, imprinting rhythmic effects on the canvas, shaping three-dimensional chasms and abysses. Beyond the abstract composition, one recognises cathedrals, houses, cityscapes, mythological and historical scenes and impressions of landscapes.<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ make_equal=”on” custom_padding_last_edited=”on|phone” _builder_version=”4.17.3″ _module_preset=”default” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” custom_padding=”||30px||false|false” custom_padding_tablet=”||30px||false|false” custom_padding_phone=”||15px||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”1_2″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”]

In the early sixties<\/h2>\n

His expressive \u201ctachism\u201d develops into a vividly coloured way of painting, characterised by dynamic brush strokes and figurative shapes, interspersed with elements of collage and disrupted by letters and fragments of words. The urban echoes in these paintings are evocative of Pop Art and make Moser into a forerunner of the \u201cNeue Wilde\u201d of the eighties. <\/p>\n

For the first time in the history of the arts, the metropolitan underground (\u201cM\u00e9tro\u201d) acquires a mythological dimension. Eurylochos and Concierges are other subjects. From 1965 onwards, Moser reaches out into the third dimension: wood reliefs and assemblages of planks; he also creates his first sculptures, among them several walk-in sculptures. From 1964 to 1972 he is a member of the Swiss Federal Commission of the Fine Arts.<\/p>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/www.wilfridmoser.ch\/wp-content\/uploads\/2022\/04\/3-Wilfrid-Moser-Jean-Franc\u0327ois-Jaeger-Galerie-Jeanne-Bucher-Paris-1961_.jpg” alt=”Wilfrid Moser – Jean-Franc\u0327ois Jaeger, Galerie Jeanne Bucher, Paris, 1961″ title_text=”Wilfrid Moser – Jean-Franc\u0327ois Jaeger, Galerie Jeanne Bucher, Paris, 1961″ show_in_lightbox=”on” _builder_version=”4.17.0″ _module_preset=”default” positioning=”absolute” position_origin_a=”center_center” position_origin_a_tablet=”center_center” position_origin_a_phone=”center_center” position_origin_a_last_edited=”on|desktop” position_origin_f_tablet=”” position_origin_f_phone=”” position_origin_f_last_edited=”on|desktop” position_origin_r_tablet=”” position_origin_r_phone=”” position_origin_r_last_edited=”on|desktop” width=”100%” positioning_tablet=”none” positioning_phone=”none” positioning_last_edited=”on|phone” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row make_equal=”on” custom_padding_last_edited=”on|phone” _builder_version=”4.17.3″ _module_preset=”default” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” max_width=”645px” custom_padding=”||30px||false|false” custom_padding_tablet=”||30px||false|false” custom_padding_phone=”||15px||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”]

In the seventies<\/h2>\n

Apart from continuing to live in Paris and Ronco, Moser spends more and more time in Zurich, where he gets to know the art historian Tina Gr\u00fctter. From 1971 to 1978, he is Central President of the Swiss Society of Painters, Sculptors and Architects, where he actively promotes the active participation of women.<\/p>\n

Although his striated red and white epoxy sculptures (small sculptures and walk-in sculptures in public places) have become his new hallmark, he soon embarks on new artistic experiments. In order to enhance the visionary quality of the third dimension, he relinquishes his sculptural activities and returns to flat surfaces. Inspired by the quarries and rocky slopes of the Gotthard massif, he creates metaphorical landscapes in timeless spaces: Le bout du monde, La derni\u00e8re neige, La clef de l\u2019ab\u00eeme, Acis). It is with these pictures of rocks and stones that he represents Switzerland at the 1980 Venice Biennial.<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ make_equal=”on” _builder_version=”4.17.3″ _module_preset=”default” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”1_2″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/www.wilfridmoser.ch\/wp-content\/uploads\/2022\/04\/5-Wilfrid-Moser-Tina-Gru\u0308tter-GSMBA-Visarte-H.-Fries-G.-Krneta-R.-Lu\u0308thy-Bern-1974_.jpg” alt=”Wilfrid Moser – Tina Gru\u0308tter – GSMBA – Visarte (H. Fries, G. Krneta, R. Lu\u0308thy), Bern, 1974″ title_text=”Wilfrid Moser – Tina Gru\u0308tter – GSMBA – Visarte (H. Fries, G. Krneta, R. Lu\u0308thy), Bern, 1974″ show_in_lightbox=”on” align=”center” _builder_version=”4.17.0″ _module_preset=”default” custom_padding=”||30px||false|false” custom_padding_tablet=”||30px||false|false” custom_padding_phone=”||15px||false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/www.wilfridmoser.ch\/wp-content\/uploads\/2022\/04\/4-Wilfrid-Moser-Eva-Puig-Grand-Palais-Paris-1972_.jpg” alt=”Wilfrid Moser – Eva Puig, Grand Palais, Paris, 1972″ title_text=”Wilfrid Moser – Eva Puig, Grand Palais, Paris, 1972″ show_in_lightbox=”on” _builder_version=”4.17.3″ _module_preset=”default” positioning=”absolute” position_origin_a=”center_center” position_origin_a_tablet=”center_center” position_origin_a_phone=”center_center” position_origin_a_last_edited=”on|desktop” position_origin_f_tablet=”” position_origin_f_phone=”” position_origin_f_last_edited=”on|desktop” position_origin_r_tablet=”” position_origin_r_phone=”” position_origin_r_last_edited=”on|desktop” width=”100%” positioning_tablet=”none” positioning_phone=”none” positioning_last_edited=”on|tablet” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ make_equal=”on” custom_padding_last_edited=”on|phone” _builder_version=”4.17.3″ _module_preset=”default” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” custom_padding=”||30px||false|false” custom_padding_tablet=”||30px||false|false” custom_padding_phone=”||15px||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”1_2″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”]

In the 80’s<\/h2>\n

In 1984, Moser is awarded the honours distinction of the Canton of Zurich. In 1985, he is nominated \u201cChevalier des Arts et Lettres\u201d by the Minister of Culture of the French Republic. In the course of the eighties, he travels to study the major art collections of Europe, returning several times to Venice, the Serenissima.<\/p>\n

From 1985 to 1993 he is a member of the Collections Commission of the Kunsthaus Zurich. In a series of portraits of trees and brushwood, he further pursues representations of space that are both realistic and expressive. In the mid-eighties, he revisits gestural painting, dissolving the compact rock shapes and transforming the realistic brushwood structures into a colourful maze of lines. Motion sequences are augmented to a point where they pulsate like so many dynamic rhythms.<\/p>\n

While most of his compositions are symbolic representations of historical and mythological struggles, some also reflect his interest in the events of his time. He returns to earlier themes, upon which he superimposes a moving and scintillating linear structure, fusing them into a single theme. In 1989 he is awarded the Kunstpreis of the City of Zurich (celebratory speech by Stanislaus von Moos). In burlesque and macabre scenes, Moser\u2019s colours become more vivid, his lines more expressive.<\/p>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/www.wilfridmoser.ch\/wp-content\/uploads\/2022\/04\/6-Wilfrid-Moser-Kunsthaus-Zu\u0308rich-1980_.jpg” alt=”Wilfrid Moser, Kunsthaus Zu\u0308rich, 1980″ title_text=”Wilfrid Moser, Kunsthaus Zu\u0308rich, 1980″ show_in_lightbox=”on” _builder_version=”4.17.0″ _module_preset=”default” positioning=”absolute” position_origin_a=”center_center” position_origin_a_tablet=”center_center” position_origin_a_phone=”center_center” position_origin_a_last_edited=”on|desktop” position_origin_f_tablet=”” position_origin_f_phone=”” position_origin_f_last_edited=”on|desktop” position_origin_r_tablet=”” position_origin_r_phone=”” position_origin_r_last_edited=”on|desktop” width=”100%” positioning_tablet=”none” positioning_phone=”none” positioning_last_edited=”on|desktop” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row make_equal=”on” custom_padding_last_edited=”on|phone” _builder_version=”4.17.3″ _module_preset=”default” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” max_width=”645px” custom_padding=”||30px||false|false” custom_padding_tablet=”||30px||false|false” custom_padding_phone=”||15px||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”]

From 1990<\/h2>\n

New dominant themes emerge: La Chute des Idoles, Pont Alexandre. In pastels of powerful momentum and baroque opulence, created after 1993, he revisits his earlier themes, from the Jardin des Plantes and the open houses to the Chute des Idoles, staging scenes from the great fun fair of the world, parading ghostly processions and festive retinues under the spectator\u2019s eyes. <\/p>\n

In 1993 he is promoted to the rank of \u201cOfficier des Arts et Lettres\u201d by the Minister of Culture of the French Republic. <\/p>\n

1997<\/h2>\n

On December 19, 1997 Wilfrid Moser dies unexpectedly of a stroke.<\/p>[\/et_pb_text][et_pb_divider divider_weight=”2px” _builder_version=”4.17.0″ _module_preset=”default” custom_padding=”30px||||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row make_equal=”on” _builder_version=”4.17.3″ _module_preset=”default” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” max_width=”645px” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text admin_label=”Titre Expositions individuelles et de groupes, biennales” _builder_version=”4.17.0″ _module_preset=”default” header_2_font=”|700|||||||” text_orientation=”center” global_colors_info=”{}” theme_builder_area=”post_content”]

Individual and group exhibitions, biennials<\/h2>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row make_equal=”on” custom_padding_last_edited=”on|phone” _builder_version=”4.17.3″ _module_preset=”default” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” custom_padding=”40px||10px||false|false” custom_padding_tablet=”30px||||false|false” custom_padding_phone=”20px||0px||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text admin_label=”Titre Expositions individuelles” _builder_version=”4.17.3″ _module_preset=”default” text_font=”||||on||||” header_2_font=”|700|||||||” global_colors_info=”{}” theme_builder_area=”post_content”]

Individual exhibitions<\/h3>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ make_equal=”on” _builder_version=”4.17.3″ _module_preset=”default” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” custom_padding=”||0px||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”1_2″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text admin_label=”Expositions individuelles” _builder_version=”4.17.3″ _module_preset=”default” header_2_font=”|700|||||||” custom_margin=”||||false|false” custom_padding=”||||false|false” global_colors_info=”{}” theme_builder_area=”post_content”]\n\n\n\n\n\n\n\n\n\n\n
1953<\/strong><\/td>\nZurich, Zum Strauhof, W. Moser, 12.-30.1.<\/td>\n<\/tr>\n
1954<\/strong><\/td>\nLocarno, Galleria la Citadella, 1.9.-20.9.<\/td>\n<\/tr>\n
1958<\/strong><\/td>\nParis, Galerie Jeanne Bucher, Peintures r\u00e9centes de W. Moser, 14.11.-6.12.<\/td>\n<\/tr>\n
1961<\/strong><\/td>\nParis, Galerie Jeanne Bucher, Moser, 17.3.-8.4.<\/td>\n<\/tr>\n
1963<\/strong><\/td>\nOslo, Galleri Haaken, Wilfrid Moser. Separatutstilling, ab 28. September<\/td>\n<\/tr>\n
1964<\/strong><\/td>\nLuzern, Kunstmuseum, Moser, 30.8.-25.10.<\/td>\n<\/tr>\n
1965<\/strong><\/td>\nParis, Galerie Jeanne Bucher, Moser, 12.5.-5.6.<\/td>\n<\/tr>\n
1967<\/strong><\/td>\nLausanne, Galerie Alice Pauli, 12.5.-7.6.<\/td>\n<\/tr>\n
1970<\/strong><\/td>\nZurich, Kunsthaus, Moser, 24.03 – 10. 05
Paris, Galerie Jeanne Bucher, 28.05 – 27.06<\/td>\n<\/tr>\n<\/tbody>\n<\/table>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/www.wilfridmoser.ch\/wp-content\/uploads\/2022\/04\/expo-Exhibition-Wilfrid-Moser-Kunsthaus-Zurich-1970_.jpg” alt=”Exhibition Wilfrid Moser, Kunsthaus Zurich, 1970″ title_text=”Exhibition Wilfrid Moser, Kunsthaus Zurich, 1970″ show_in_lightbox=”on” align=”center” _builder_version=”4.17.3″ _module_preset=”default” positioning=”absolute” position_origin_a=”center_center” position_origin_a_tablet=”center_center” position_origin_a_phone=”center_center” position_origin_a_last_edited=”on|desktop” position_origin_f_tablet=”” position_origin_f_phone=”” position_origin_f_last_edited=”on|desktop” position_origin_r_tablet=”” position_origin_r_phone=”” position_origin_r_last_edited=”on|desktop” width=”100%” positioning_tablet=”none” positioning_phone=”none” positioning_last_edited=”on|phone” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row make_equal=”on” _builder_version=”4.17.3″ _module_preset=”default” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” custom_padding=”||||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text admin_label=”Expositions individuelles suite” _builder_version=”4.17.3″ _module_preset=”default” header_2_font=”|700|||||||” global_colors_info=”{}” theme_builder_area=”post_content”]\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1971<\/strong><\/td>\nAscona, Galleria Associazione Artisti Ascona, Moser, 27.3.-23.4.
Zurich, Galerie Scheidegger + Maurer, 7.10.-17.11.<\/td>\n<\/tr>\n
1972<\/strong><\/td>\nGenf, Artel Galerie<\/td>\n<\/tr>\n
1974<\/strong><\/td>\nZurich, Galerie Scheidegger + Maurer, Juni Biel, Kunstverein und Galerie 57, Wilfrid Moser, 19.10.-16.11.
Metz, Mus\u00e9es de Metz, Moser. Sculptures polychromes, 23.11.-5.1.1975<\/td>\n<\/tr>\n
1975<\/strong><\/td>\nWinterthur, Galerie ge, Skulpturen und Zeichnungen, 12.4.-6.5.<\/td>\n<\/tr>\n
1976<\/strong><\/td>\nZurich, Galerie Maurer, Januar<\/td>\n<\/tr>\n
1978<\/strong><\/td>\nFribourg, Galerie RB, Wilfrid Moser, 25.2.-25.3.
Zurich, Galerie Maurer, Marz-April Paris, Galerie Jeanne Bucher, Lieux et passages: recherche d’une dramatisation de l’espace, 25.5.29.6.
Zurich, Galerie Scheidegger, Bilder, Aquarelle, Zeichnungen, Holzschnitte, 19.10.-14.11.<\/td>\n<\/tr>\n
1979<\/strong><\/td>\nWinterthur, Galerie ge, 18.1.-17.2.
Basel, Paris, Galerie Jeanne Bucher, Art 10’79<\/td>\n<\/tr>\n
1980<\/strong><\/td>\nZurich, Galerie Maurer, Mai
Venedig, Biennale, Schweizer Pavillon (mit Peter Stein und Oscar Wiggli), 1.06.-28.9.
Bern, Kunstkeller, 18.10.-15.11.<\/td>\n<\/tr>\n
1981<\/strong><\/td>\nParis, Galerie Jeanne Bucher, Wilfrid Moser. Fragments de paysages. Aquarelles et pastels, 27.1.28.2.
Zurich, Galerie Semiha Huber, Bilder und Aquarelle 1979-1981, 22.5.-26.6.<\/td>\n<\/tr>\n
1982<\/strong><\/td>\nBern, Kunstkeller, Wilfrid Moser, 27.2.-3.4.
Zurich, Galerie Semina Huber
Zurich, Galerie Maurer, August
Zell (Luzern), Galerie Priska Meier, Wilfrid Moser. Werke von 1945-1982, 23.10.-28.11.<\/td>\n<\/tr>\n
1983<\/strong><\/td>\nWinterthur, Galerie ge, Wilfrid Moser, 25.2.-26.03.
Paris, Galerie Jeanne Bucher, Peintures et sculptures 1953-1983, 26.4.-4.6.<\/td>\n<\/tr>\n
1984<\/strong><\/td>\nChur, Galerie Giacometti, Bilder, Pastelle, Aquarelle, 19.4.-19.5.
Zurich, Galerie Maurer, April-Mai
Genf, Galerie Kara, Wilfrid Moser. Peitures, scultures, 7.6.-27.7.<\/td>\n<\/tr>\n
1985<\/strong><\/td>\nZell (Luzern), Galerie Priska Meier, Wilfrid Moser. Neue Werke, 20.4.-26.5.
Zurich, Galerie Maurer, Oktober-Dezember 20.12.<\/td>\n<\/tr>\n
1986<\/strong><\/td>\nWinterthur, Galerie ge, Wilfrid Moser, 4.4.-3.5.\nBiel, Galerie 57 Silvia Steiner, 18.10.-15.11.\nGenf, Galerie Kara, Peintures 1954-1986 (espace R), 20.11.-10.1.1987<\/td>\n<\/tr>\n
1987<\/strong><\/td>\nZurich, Galerie Maurer, Wilfrid Moser. Werke im Zusammenhang mit der Skulptur \u201eLeporello\u201c fur\ndas Kunsthaus Zurich, 9.4.-Ende Mai\nWinterthur, Galerie ge an der Art 18’87, 17.-22.6.\nZell (Luzern), Galerie Priska Meier, 17.10.-22.11.<\/td>\n<\/tr>\n
1988<\/strong><\/td>\nParis, Galerie Jeanne Bucher, Wilfrid Moser. Peintures 1985-88, 3.10.-12.11.<\/td>\n<\/tr>\n
1989<\/strong><\/td>\nWinterthur, Galerie ge, Wilfrid Moser, 30.3.-29.4.\nSchaan (FL), Galerie Theater am Kirchplatz, Malerei, Zeichnungen, Plastik, 16.9.-27.10.\nZurich, Galerie Maurer, November-Dezember<\/td>\n<\/tr>\n
1990<\/strong><\/td>\nZell (Luzern), Galerie Priska Meier, Werke von 1987-90, 6.10.-11.11.<\/td>\n<\/tr>\n
1991<\/strong><\/td>\nZurich, Galerie Maurer, Wilfrid Moser, 30.5.-5.7.\nWinterthur, Galerie ge, Wilfrid Moser, 23.8.-28.9.<\/td>\n<\/tr>\n
1992<\/strong><\/td>\nParis, Galerie Jeanne Bucher, FIAC, Grand-Palais, La chute des idoles et autres travaux r\u00e9cents accompagn\u00e9s de quelques tableaux de r\u00e9f\u00e9rence, 23.10.-1.11.<\/td>\n<\/tr>\n
1993<\/strong><\/td>\nZurich, Kunsthaus, Wilfrid Moser. Ein Schweizer Betrag zur europaischen Nachkriegskunst, 3.9. -31.10.<\/td>\n<\/tr>\n
1994<\/strong><\/td>\nWinterthur, Galerie ge, Wilfrid Moser. Bilder und Zeichnungen, 28.4.-21.5.<\/td>\n<\/tr>\n
1996<\/strong><\/td>\nBasel, Galerie Garzaniga & Ueker, Moser, 27.6.-10.8.<\/td>\n<\/tr>\n
1997<\/strong><\/td>\nParis, Galerie Jeanne-Bucher, FIAC, Grand-Palais, 24.4.-28.4.\nZurich, Graphisches Kabinett Kunsthaus, Pont Alexandre oder Die Alterheiterkeit des Wilfrid Moser. Pastelle 1993-1997, 5.12.-18.1.1998.<\/td>\n<\/tr>\n
1998<\/strong><\/td>\nParis, Galerie Jeanne-Bucher Wilfrid Moser. Le pont Alexandre III. Oeuvres ultimes 1994-1997, 5.11. -13.12 \/ Bellinzona, Villa dei Cedri, ab 12.3.\nWiesbaden, Galerie B. Haasner, Wilfrid Moser (1914-1997).\nOelbilder – Pastelle – Radierungen, 4.9. -16.10.<\/td>\n<\/tr>\n
1999<\/strong><\/td>\nZurich, Graphische Sammlung der ETH, Wilfrid Moser, 18.8.-15.10.\nBasel, Galerie Beyeler, Wilfrid Moser, 27.3.-29.5.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_5,2_5″ make_equal=”on” _builder_version=”4.17.3″ _module_preset=”default” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” custom_padding=”0px||||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”3_5″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text admin_label=”Expositions individuelles fin” _builder_version=”4.17.0″ _module_preset=”default” header_2_font=”|700|||||||” positioning=”absolute” position_origin_a=”center_center” position_origin_a_tablet=”center_center” position_origin_a_phone=”center_center” position_origin_a_last_edited=”on|desktop” position_origin_f_tablet=”” position_origin_f_phone=”” position_origin_f_last_edited=”on|desktop” position_origin_r_tablet=”” position_origin_r_phone=”” position_origin_r_last_edited=”on|desktop” width=”100%” positioning_tablet=”none” positioning_phone=”none” positioning_last_edited=”on|tablet” global_colors_info=”{}” theme_builder_area=”post_content”]\n\n\n\n\n\n
2000<\/strong><\/td>\nZurich, Galerie Lutz & Thalmann, Wilfrid Moser. Face \u00e0 face. Sp\u00e4te Pastelle im Dialog mit Bilder der 50er Jahren, 3.11.-9.12<\/td>\n<\/tr>\n
2002<\/strong><\/td>\nZurich, Galerie Lutz & Thalmann, Wilfrid Moser. Un mode de pierres. Steinbruche und Felslandschaften 1975-1991, 15.11.-21.12.
Dusseldorf, Art Cologne, Galerie Strelow, Wilfrid Moser. Bilder der 60er Jahre, 15.11.-11.1.2003.<\/td>\n<\/tr>\n
2006<\/strong><\/td>\nBasel, Galerie Carzaniga, Wilfrid Moser, 6.5.-24.6.
Dusseldorf, Galerie Strelow, Wilfrid Moser. Pariser Bilder, 24.11.-20.1.2007.<\/td>\n<\/tr>\n
2009<\/strong><\/td>\nBern, Kunstmuseum, Wilfrid Moser. Wegzeichen – Eine Retrospektive, 6.3.-14.6.
Locarno, Pinacoteca Casa Rusca, 19.7.-4.10.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/www.wilfridmoser.ch\/wp-content\/uploads\/2022\/04\/expo-Retrospektiv-Bern-2009.jpg” alt=”Retrospektiv Bern 2009″ title_text=”Retrospektiv Bern 2009″ show_in_lightbox=”on” align=”center” _builder_version=”4.17.3″ _module_preset=”default” position_origin_a=”center_center” position_origin_a_tablet=”center_center” position_origin_a_phone=”center_center” position_origin_a_last_edited=”off|tablet” position_origin_f_last_edited=”off|tablet” position_origin_r_last_edited=”off|tablet” width=”100%” positioning_tablet=”none” positioning_phone=”none” positioning_last_edited=”off|tablet” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row make_equal=”on” _builder_version=”4.17.3″ _module_preset=”default” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text admin_label=”Titre Expositions de groupe” _builder_version=”4.17.3″ _module_preset=”default” text_font=”||||on||||” header_2_font=”|700|||||||” global_colors_info=”{}” theme_builder_area=”post_content”]

Group exhibitions<\/h3>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ make_equal=”on” _builder_version=”4.17.3″ _module_preset=”default” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text admin_label=”Expositions de groupe” _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”]\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1949<\/strong><\/td>\nZurich, Kunsthaus, Junge Zurcher Kunstler, 10.9.-9.10.<\/td>\n<\/tr>\n
1951<\/strong><\/td>\nBern, Galerie Palette, 10 artistes d’aujourd’hui, 29.3.-24.4.\nStockholm, Galerie Blanche, Six jeunes peintres de Paris, April<\/td>\n<\/tr>\n
1951<\/strong><\/td>\nLausanne, Galerie d’art ancien et moderne, De l’art abstrait \u00e0 l’expression na\u00efve, 5.5.-30.5.\nParis, Palais du Kursaal et Salles d’Exposition de l’Acad\u00e9mie des Beaux-Arts de la R\u00e9sidence du Louvre, 1\u00e8re Biennale de peinture de France, 3.8. -1.10.<\/td>\n<\/tr>\n
1952<\/strong><\/td>\nParis, Galerie Jeanne Bucher, N allard, Fiorini, Moser, 10.10. -1.11.\nZurich, Kunsthaus, Ein Querschnitt. Malerei in Paris – heute, 18.10.-23.12.\nParis, Salle Andr\u00e9 Baug\u00e9, 1 er Salon d’octobre, Hommage \u00e0 Marcel Duchamp, 24.10.-14.11.\nZurich, Helmhaus, Zurcher Kunstler im Helmhaus, 29.11.-4.1.<\/td>\n<\/tr>\n
1953<\/strong><\/td>\nParis, Galerie Max Kaganovitch, Prix Buhrle. Premi\u00e8re Exposition, 5.-20.12.\n1953\nAachen, Surmondt-Museum, Malerei von heute. Eine deutschjranz6sische Ausstellung, 10.5.-6.6.\nParis, Galerie Jeanne Bucher, Bertholle – Bissi\u00e8re – Moser – Nallard – Reichel-Viera da Silva. Peintures et aquarelles, 13.6.-15.7.\nParis, Centre Saint-Jacques, 10 peintres, 1 sculpteur, 24.6.-13.7.\nZurich, Turnhalle Klingen, Kunstausstellung Zurich. R\u00e9veil, 3.-18.10.\nNew York, Grand Central Art Galleries, News, 5.-24.10.\nAix-La-Chapelle, Peinture d’aujourd’hui en France et en Allemagne \/ Duren \/ K\u00f6ln\nZurich, Galerie Chichio Haller, La Galerie J Bucher pr\u00e9sente 6 peintres de Paris\nMadrid, Museo de Arte Contemporaneo, Arte abstracto<\/td>\n<\/tr>\n
1954<\/strong><\/td>\nParis, Galerie Jeanne Bucher, Vielfaure, Fiorini, Moser, Chelimsky, Nallard, Louttre, 9.-28.2.\nParis, Galerie Arnaud, Divergences, Juli-September\n1955\nParis, Galerie Jeanne Bucher, Chelimsky, Nallard, Gillet, Moser, Louttre, Aguayo, 1.-19.2.\nAachen, Suermondt Museum, Ausstellung Gemeinschqfi Junger Europiiischer Kunstler, Mai\nParis, Petit Palais, Artistes \u00e9trangers en France, ab 10.6.\nParis, Galerie Arnaud, Divergences 3, Juli-September\nParis, Galerie Craven, Six peintres actuels, 22.10.-19.11.\nMannheim, Stadtische Kunsthalle, 19 Franz\u00f6sische Maler, 12.11.-4.12.\nDusseldorf, Centre d’\u00e9tudes francaises Dusseldorf, Ausstellung Gemeinschaft junger europaischer Kunstler<\/td>\n<\/tr>\n
1956<\/strong><\/td>\nBasel, Kunsthalle, 10 Zurcher Maler, 15.5.-24.6.\nParis, Galerie Craven, 32 Peintres, 1.6.-31.7.\nChavigny, Ch\u00e2teau d’Harcourt, 1\u00e8re exposition d’art contemporain de Chauvigny, 5.8.-15.9.\nParis, Galerie 93,16 peintres de la jeune Ecole de Paris, 4.-29.12.\nParis, Galerie Arnaud, divergences 4, 20.12.-9.1.<\/td>\n<\/tr>\n
1957<\/strong><\/td>\nAmiens, Mus\u00e9e, Permanence de l’Art 1957\nZurich, Kunsthaus, Collection Moltzau, 9.2. – 31.3.\nKopenhagen \/ La Haye \/ Oslo, Kunstindustrimuseet, 10.6.-26.8.\nParis, Louis Carr\u00e9 & Cie, Carrade, Lagage, Moser, Staritsky, Wessel, 12.4.-4.5.\nParis, Galerie Creuze, 50 ans de peinture abstraite, 9.5.-12.6.\nParis, Galerie Arnaud, Divergences 5, Juli-September\nNeuch\u00e2tel, Mus\u00e9e des Beaux-Arts, La peinture abstraite en Suisse, 15.9.-18.11\nZurich, Kunsthaus, Wolf Barth, Helen Dahm, Walter Helbig, Wilfried Moser, Charles Rollier, G\u00e9rard Vulliamy,21.12.-2.2.<\/td>\n<\/tr>\n
1958<\/strong><\/td>\nParis, Galerie La Roue, Pr\u00e9sence du blanc\n1958\nWinterthur, Kunstmuseum, Ungegenstandliche Malerei in der Schweiz, 18.1.-9.3.\nBerlin, Kongress-halle, 2.4.-27.4.\nLinz, Neue Galerie der Stadt Linz, Wolfgang Gurlitt Museum, 25 Jahre Zurcher Kunstankaufe, Mai-Juni\nParis, XIV” Salon de Mai, Mus\u00e9e d’Art moderne de la Ville de Paris, Il.5.-01.06.\nVenedig, XXIX. Biennale, 14.6.-19.10.\nParis, Galerie Arnaud, Divergences 6, Juni-September\nCharleroi, Palais des Expositions Charleroi, L Art du xXme, 5.7.-14.9.\nParis, Mus\u00e9e des Beaux-Arts de la Ville de Paris, l3\u00e8me Salon des R\u00e9alit\u00e9 Nouvelles. 7.7.-3.8.\nRecklinghausen, Kunsthalle, 13. Salon ’58 Paris. R\u00e9alit\u00e9s Nouvelles. Nouvelles R\u00e9alit\u00e9s. 26.9.-5.10.\nPittsburgh, Carnegie Institute, The 1958 Pittsburgh International Exhibition of Contemporary Painting & Sculpture, 5.12.-8.2.<\/td>\n<\/tr>\n
1959<\/strong><\/td>\nParis, Ambassade Suisse, Peintres, sculpteurs et architectes suisses, 6.-14.12.\nMannheim, Stadtische Kunsthalle, Nouvelle Ecole de Paris – Franzosische Malerei der Gegenwart, 13.12.- l 8. 1.1959\nParis, Mus\u00e9e des Beaux-Arts de la Ville de Paris, 14\u00e8me Salon des R\u00e9alit\u00e9s Nouvelles, 6.-26.7.\nBern, Kunsthalle, 4 Maler. T\u00e0pies, Alechinsky, Messagier, Moser,26.9.-25.10.\nSao Paulo, 5. Biennale, Sektion Schweiz, Art et Nature, September\nZurich, Zurcher Kunstler im Helmhaus und Stadthaus, 8.11.-31.12.<\/td>\n<\/tr>\n
1960<\/strong><\/td>\nParis, Galerie Raymonde Cazenave, Permanence et actualit\u00e9 de la peinture. 15 toiles choisies par R. V. Gindertael,25.3.-29.4.\nParis, Galerie Jeanne Bucher, Hommage Jeanne Bucher. R\u00e9trospective 1925-1960,6.5.-30.6.\nParis, Mus\u00e9e d’Art moderne de la Ville de Paris, XVIe Salon de Mai, 8.-29.5.\nZurich, Kunsthaus, Salon de Mai, Paris 1960, 11.6.-24.7.\nParis, Galerie Charpentier, Ecole de Paris, 9.11.-Januar 1961<\/td>\n<\/tr>\n
1961<\/strong><\/td>\nParis, Salon d’Automne\nEindhoven, Stedelijk Van Abbe Museum, Kompas, Paris, Carrefour de la peinture, 9.12.-12.2.1962<\/td>\n<\/tr>\n
1962<\/strong><\/td>\nMontrouge, Salle des f\u00eates, Peintres et sculpteurs actuels. Exposition ligne 4, 10.-27.5.\nEindhofen, Stedelijk von abbe-museum, Eindhofen, 1945-1961.\nSchilders uit parijs \/Paris, Carrefour de la culture\nParis, Galerie XXe Si\u00e8cle, Le Relief\nDusseldorf, Galerie Ina Fuchs, Gillet, Moser, Nallard\nParis, Salon d’Automne<\/td>\n<\/tr>\n
1963<\/strong><\/td>\nParis, Mus\u00e9e d’Art Moderne, Collection Sonia Henie\/Niels Onstad, 26.1.-24.2.\nGenf, Mus\u00e9e d’Art et d’Histoire\nLausanne, Mus\u00e9e cantonal des Beaux-Arts, 1er Salon International de Galeries Pilotes, 20.6.-22.9.\nSao Paulo, Museu de Arte Moderna, 7. Biennale (mit Walter Linck und Rolf Iseli), September-Dezember\nParis, Galerie Claude Bernard, Sculptures de peintres\nTorre Pellice, 14a Mostra d’Arte Contemporanea\nParis, Galerie Charpentier, Ecole de Paris<\/td>\n<\/tr>\n
1964<\/strong><\/td>\nLausanne, Mus\u00e9e cantonal des Beaux-Arts, L’art Suisse au XX’ si\u00e8cle \/ Schweizer Kunst im 20. Jahrhundert, 30.4.-25.10.\nGenf, La Galerie arts et culture, Art suisse contemporain, Juli-September\nSaint-Etienne, Mus\u00e9e, 50 ans de collages<\/td>\n<\/tr>\n
1965<\/strong><\/td>\nParis, Mus\u00e9e des Beaux-Arts de la Ville de Paris, 20\u00e9me Salon des R\u00e9alit\u00e9s Nouvelles, 5.-27.4.\nZurich, Helmhaus, Zurcher Kunstler im Helmhaus, 27.11.-23.12.\nBern, Kunstmuseum, 100 Jahre GSAMBA. Jublilaums-Ausstellung der Gesellschaft Schweizerischer Maler, Bildhauer und Architekten, 7.11.-19.12.\nTokyo, Les Fauves \/ Kyoto\nCaen, Maison de la Culture, Exposition Galerie J. Bucher<\/td>\n<\/tr>\n<\/tbody>\n<\/table>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text admin_label=”Expositions de groupe” _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”]\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1966<\/strong><\/td>\nBasel, Kunsthalle, Zurcher Kunstler in der Kunsthalle, 6.1.-23.1.
Pforzheim, Kunst- und Kunstgewerbeverein, Schweizer Malerei und Plastik 1945-1965, 13.2.-13.3.
Koblenz, Mittelrhein-Museum, 3.4.-1.5.
Kassel, Kasseler Kunstverein, 15.5.-12.6.
1966
Kaiserslautern, Pfalzische Landesgewerbeanstalt, 26.6.-24.7.
Wuppertal, Kunst- und Museumsverein, Il.9.-16.10.
Bremen, Kunsthalle, 6.11.-4.12.
Menton, Biennale<\/td>\n<\/tr>\n
1967<\/strong><\/td>\nSchiedam, Stedelijk Museum, 8 peintres de Paris (Abboud, Debr\u00e9, Karskaya, Messagier, MioUe, Moser, Nallard, Rebeyrolle), 26.4.-29.5
Genf, Mus\u00e9e Rath, Le visage de l’homme dans l’art contemporain, 1.7.-17.09.
Havanna, Salon de mayo. Pabellon Cuba, Ausstellungshalle Havanna, Juli 1967
Paris, Mus\u00e9e Galli\u00e9ra, Une aventure de l’art abstrait 1957-67, 15.9.-13.10.
Nantes, Mus\u00e9e des Beaux-Arts \/ Brest \/ Orl\u00e9ans
Paris, Galerie Claude Bernard, Le Portrait<\/td>\n<\/tr>\n
1968<\/strong><\/td>\nParis, Hotel Drouot, Tableaux Modernes. Vente au profit des oeuvres sociales de la commission centrale de l’enfance, 17.5.
Luzern, Kunstmuseum, Neue Formen expressionistischer Malerei seit 1950, 28.7.-22.9.
Aarau, Kunsthaus, GSMBA, September-Oktober<\/td>\n<\/tr>\n
1969<\/strong><\/td>\nParis, Galerie Jeanne Bucher, L’heure du go\u00e9mon, 7.-30.11.<\/td>\n<\/tr>\n
1970<\/strong><\/td>\nBasel, Kunsthalle, Das offene Museum – Die Stadt, 3.10.-22.11.<\/td>\n<\/tr>\n
1971<\/strong><\/td>\nAarau, Aargauer Kunsthaus, Les Suisses de Paris, 13.3.-10.4.
Bourges, Maison de la Culture, Peintres de Paris: Debr\u00e9, Messagier, Miotte, Moser, Nallard, Rebeyrolle
Tokyo, Salon d’Automne<\/td>\n<\/tr>\n
1972<\/strong><\/td>\nZurich, Stadtische Kunstkammer zum Strauhof, Freiheit fur das griechische Volk. Kollektive Ausstellung Schweizer Kunstler zugunsten eines demokratischen Griechenlands, 18.4.-6.5.
Bochum, Museum Bochum Kunstsammlung, Schweizer Kunst heute, 30.9.-19.11.
Tel Aviv, Museum Tel Aviv, Art suisse contemporain, ab 28.11.
Paris, Grand-Palais, L’Art Suisse contemporain \/31 artistes Suisses<\/td>\n<\/tr>\n
1973<\/strong><\/td>\nZurich, Galerie Scheidegger + Maurer, Samuel Buri, Annie Frey, Theo Gerber, Gottlieb Kurfiss, Wilfried Moser, Varlin, 18.1.-1.3.
Thun, Kunstsammlung der Stadt Thun, Carl Liner, Wilfrid Moser, 3.2.-11.3.
Bochum, Stadtisches Museum, Profile X Schweizer Kunst heute \/ Neue Galerie am Landesmuseum Joanneum im Kunstlerhaus, Graz, 10.2.-11.3.
Aarau, Aargauer Kunsthaus, Zurcher Kunstler, 8.9.-7.10.
Budapest, Biennale<\/td>\n<\/tr>\n
1974<\/strong><\/td>\nGenf, 17 artistes suisses, 15.6.-15.9.<\/td>\n<\/tr>\n
1978<\/strong><\/td>\nZurich, Kunsthaus, Beginn des Tachismus in der Schweiz, 27.1-12.3.<\/td>\n<\/tr>\n
1980<\/strong><\/td>\nVenedig, Schweizer Pavillon der Biennale, Wilfrid Moser. Peter Stein. Oscar Wiggli, 1.6.-28.9.
Paris, Mairie annexe du 6e arrondissement, Peintres de l’Abstraction lyrique \u00e0 Saint-Germain-des-Pr\u00e9s. 1946-1956,6.6.-5.7.<\/td>\n<\/tr>\n
1981<\/strong><\/td>\nInnsbruck, Tiroler Kunstpavillon, Zeichnungen von 13 Schweizer Bildhauern, 20.3.-12.4.1
Wien, Modern art Galerie, 14.5.-6.6.
Klagenfurt, Karntner Landesgalerie, 24.6.-19.7.
Zurich, Galerie Semiha Huber, Meister der lyrischen Abstraktion, ab 7.10
Zurich, Kunsthaus Zurich, Dreissiger Jahre Schweiz. Ein Jahrzehnt im Widerspruch, 30.10.-10.1.<\/td>\n<\/tr>\n
1982<\/strong><\/td>\nWinterthur, Galerie ge, Skulpturen<\/td>\n<\/tr>\n
1984<\/strong><\/td>\nParis, Le centre national des art plastique, Charles Estienne & l’art \u00e0 Paris 1945-1966, 21.6.-2.9.
Winterthur, Galerie ge in der Kunsthalle Waaghaus, JO Jahre Galerie ge (mit Ulrich Elsener, Bendicht Fivian, Hannes Vogel), 5.10.-17.11
Paris, Mus\u00e9e des Arts D\u00e9coratifs, Sur Invitation
Clermont-Ferrand, Biennale du dessin
1985
Zurich, Graphik-Sammlung ETH, Neue Formen und Formulierungen. Ungegenstandliche und experimentelle Formulierungen, 30.7.-1.9.
Heidelberg, Kunstverein, Der Baum, 27.9.-31.10. \/ Saarbrucken, Stadtgalerie Saarbrucken, 15.12.-23.2.<\/td>\n<\/tr>\n
1986<\/strong><\/td>\nParis, Salon de Mai
1986
Karlsruhe, Stadtische Galerie im Prinz-Max-Palais, Konstruktion und Geste Schweizer Kunst der 50er Jahre, 12.4.-22.6.
Munster, Westfalisches Landesmuseum fur Kunst und Kulturgeschichte, 13.7.-7.9.
Schaffhausen, Museum zu Allerheiligen, 28.9.-23.11.
Luzern, Galerie Fischer, Pioniere der Neuen Schweizer Malerei. 50 Jahre Schweizer Kunst, 9.8.-10.9.
Brig und Visp, Galerie Zur Matze und Galerie Zur Schutzenlaube, Das Schweizer Aquarell, 28.9.-19.10.
Winterthur, Galerie ge, Bilder, Zeichnungen
1987
Interlaken, Galerie, Kursaal \/ CC CI, Schweizer Aquarelle 1, 31.5.-26.6.<\/td>\n<\/tr>\n
1988<\/strong><\/td>\nOlten, Kunstmuseum, Copain Vincent. Van Goghs Einfluss auf Schweizer Kunstler, 28.5.-10.7.
Zug, Kunsthaus, Holz 1. Vom Material zum Ausdruck. Holzschnitte und Holz, 19.6.-11.9.<\/td>\n<\/tr>\n
1992<\/strong><\/td>\nParis, Galerie Jeanne Bucher, l’arri\u00e8re-pays, 7.2.-28.3.
Locarno, Pinacoteca comunale Casa Rusca, Arp e amici, 31.5.-16.8.
Winterthur, Galerie ge, Zeichnungen von Schweizer Kunstlern<\/td>\n<\/tr>\n
1993<\/strong><\/td>\nBonn, Galerie der Friedrich-Ebert-Stiftung, Gegendruck. Schweizer Kunstlergraphik von Alberto Giacometti bis Urs Luthi, 4.3.-16.4.
Innsbruck, Galerie im Taxispalais, 22.6.-6.8.
Zurich, Graphische Sammlung der ETH, 25.8.-24.9.
Schaffhausen, Museum zu Allerheiligen, Kunstverein, Gesichte (Disler, Ikemura, Iseli, Kratzky, Melcher, Moser, Radelfinger, Raetz, Roesch, Scapa, Schifferle, Wick), 6.6.-15.8.
Chur, Bundner Kunstmuseum, 4.2.-4.4.1994<\/td>\n<\/tr>\n
1996<\/strong><\/td>\nPully, Mus\u00e9e de Pully, 6x informel, 10.10.-9.2.1997<\/td>\n<\/tr>\n
1997<\/strong><\/td>\nParis, Galerie Jeanne-Bucher, Pour un jubil\u00e9: 1947-1997, 30.9.-6.10.<\/td>\n<\/tr>\n
1999<\/strong><\/td>\nBasel, Galerie Beyeler, Wilfrid Moser. Letzte Werke, Franz Fedier. Arbeiten aus den 60er Jahren, Karl Gerstner. Genesis 1962-1998,27.3.-29.5.
Basel, Galerie Carzaniga + Ueker, Informelle Malerei der 50er und 60er Jahre, 12.8.-18.9.<\/td>\n<\/tr>\n
2002<\/strong><\/td>\nParis, Galerie Jeanne-Bucher, Paysage, vue de l’esprit, 31.10.-30.11.<\/td>\n<\/tr>\n
2003<\/strong><\/td>\nLentos Kunstmuseum Linz. Paris 1945-1965. Metropole der Kunst. Jahrezehnte des Aufbruchs. 11.12.2003-22.03.2004<\/td>\n<\/tr>\n
2004<\/strong><\/td>\nZurich, Galerie Ren\u00e9e Ziegler, They loved Paris in the fifties. Kunstler aus den USA und der Schweiz in Paris, 16.4.-3.7.<\/td>\n<\/tr>\n
2005<\/strong><\/td>\nBasel, Galerie Carzaniga, First Choice. From Private Collections. Von Arp bis Varlin. Lichtblicke aus Privatsammlungen,4.6.-16.7.
Zurich, artebafineart, Moderne Schweizer Kunst. 25 Orginalwerke, 5.12.-24.2.2006.<\/td>\n<\/tr>\n
2006<\/strong><\/td>\nZurich, Galerie Lutz & Thalmann, Urban rhythm, 16.6.-22.7.<\/td>\n<\/tr>\n
2007<\/strong><\/td>\nVilleneuve-sur-Lot, Mus\u00e9e de Gajac, L’action pensive, 22.2.-20.4.
Saint-Louis, Espace d’art contemporain Fernet-Branca, Faces \u00e0 faces. La peinture en question, 9.6.-14.10.<\/td>\n<\/tr>\n
2008<\/strong><\/td>\nBasel, Galerie Carzaniga, First Choice. From Private Collections IV, 19.1.-1.3.
Zug, Kunsthaus Zug, Die Sammlung, erweitert, 6.7.-31.8.<\/td>\n<\/tr>\n
2009<\/strong><\/td>\nBellinzona, Museo Villa dei Cedri, Arte e Natura, 5.4 .-28.6.<\/td>\n<\/tr>\n
<\/td>\nMus\u00e9e d’art de Sion. Explosions lyriques. La peinture abstraite en Suisse 1950-1065. 14.11.2009-11.04.2010<\/td>\n<\/tr>\n<\/tbody>\n<\/table>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding_last_edited=”on|phone” _builder_version=”4.17.3″ _module_preset=”default” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” custom_padding=”40px||0px||false|false” custom_padding_tablet=”30px||||false|false” custom_padding_phone=”20px||||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text admin_label=”Titre Biennales” _builder_version=”4.17.3″ _module_preset=”default” text_font=”||||on||||” position_origin_a=”center_center” position_origin_a_tablet=”center_center” position_origin_a_phone=”center_center” position_origin_a_last_edited=”on|desktop” position_origin_f_tablet=”” position_origin_f_phone=”” position_origin_f_last_edited=”on|desktop” position_origin_r_tablet=”” position_origin_r_phone=”” position_origin_r_last_edited=”on|desktop” width=”100%” custom_padding=”||30px||false|false” positioning_tablet=”none” positioning_phone=”none” positioning_last_edited=”on|tablet” global_colors_info=”{}” theme_builder_area=”post_content”]

Biennials<\/h3>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_5,2_5″ make_equal=”on” _builder_version=”4.17.3″ _module_preset=”default” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”3_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text admin_label=”Biennales” _builder_version=”4.17.3″ _module_preset=”default” positioning=”absolute” position_origin_a=”center_center” position_origin_a_tablet=”center_center” position_origin_a_phone=”center_center” position_origin_a_last_edited=”on|desktop” position_origin_f_tablet=”” position_origin_f_phone=”” position_origin_f_last_edited=”on|desktop” position_origin_r_tablet=”” position_origin_r_phone=”” position_origin_r_last_edited=”on|desktop” width=”100%” positioning_tablet=”none” positioning_phone=”none” positioning_last_edited=”on|tablet” global_colors_info=”{}” theme_builder_area=”post_content”]\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/td>\nVenedig \/ Venise<\/td>\n<\/tr>\n
<\/td>\n <\/td>\n<\/tr>\n
1958<\/strong><\/td>\nXXIX\u00e8me Biennale, Pavillon Suisse, 14.6.-19.10.<\/td>\n<\/tr>\n
1980<\/strong><\/td>\nXL\u00e8me Biennale, Pavillon Suisse, 1.6.-28.9.<\/td>\n<\/tr>\n
<\/strong><\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nSao Paulo<\/td>\n<\/tr>\n
<\/td>\n <\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
1959<\/strong><\/td>\n5. Biennale, Museu de Arte Moderna, Art et Nature<\/em>, September<\/td>\n<\/tr>\n
1963<\/strong><\/td>\n7. Biennale, September-Dezember<\/td>\n<\/tr>\n<\/tbody>\n<\/table>[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/www.wilfridmoser.ch\/wp-content\/uploads\/2022\/04\/expo-Biennale-Venezia-1980_.jpg” alt=”Biennale Venezia, 1980″ title_text=”Biennale Venezia, 1980″ show_in_lightbox=”on” _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

Wilfrid Moser was born in Zurich-Enge on June 10, 1914. His father was a sinologist, his mother a piano teacher. Due to his father\u2019s teaching assignments in European universities, Wilfrid very early gets to know several cities and their culture. In the Zurich family home, he meets such painters as Otto Baumberger, Albert Pfister and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","inline_featured_image":false,"footnotes":""},"class_list":["post-1091","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.wilfridmoser.ch\/en\/wp-json\/wp\/v2\/pages\/1091","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.wilfridmoser.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.wilfridmoser.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.wilfridmoser.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.wilfridmoser.ch\/en\/wp-json\/wp\/v2\/comments?post=1091"}],"version-history":[{"count":1,"href":"https:\/\/www.wilfridmoser.ch\/en\/wp-json\/wp\/v2\/pages\/1091\/revisions"}],"predecessor-version":[{"id":1092,"href":"https:\/\/www.wilfridmoser.ch\/en\/wp-json\/wp\/v2\/pages\/1091\/revisions\/1092"}],"wp:attachment":[{"href":"https:\/\/www.wilfridmoser.ch\/en\/wp-json\/wp\/v2\/media?parent=1091"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}